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National Statuary Hall - Description of the Hall

National Statuary Hall - Description of the Hall: Encyclopedia II - National Statuary Hall - Description of the Hall

The Hall is built in the shape of an ancient amphitheater and is one of the earliest examples of Greek revival architecture in America. While most wall surfaces are painted plaster, the low gallery walls and pilasters are of sandstone. Around the room's perimeter stand colossal columns of variegated breccia marble quarried along the Potomac River. The Corinthian capitals of white marble were carved in Carrara, Italy. A lantern in the fireproof cast-steel ceiling admits natural light into the Hall. The chamber floor is laid with black and whi ...

See also:

National Statuary Hall, National Statuary Hall - Description of the Hall, National Statuary Hall - History, National Statuary Hall - Statues

National Statuary Hall, National Statuary Hall - Description of the Hall, National Statuary Hall - History, National Statuary Hall - Statues

National Statuary Hall: Encyclopedia II - National Statuary Hall - Description of the Hall



National Statuary Hall - Description of the Hall

The Hall is built in the shape of an ancient amphitheater and is one of the earliest examples of Greek revival architecture in America. While most wall surfaces are painted plaster, the low gallery walls and pilasters are of sandstone. Around the room's perimeter stand colossal columns of variegated breccia marble quarried along the Potomac River. The Corinthian capitals of white marble were carved in Carrara, Italy. A lantern in the fireproof cast-steel ceiling admits natural light into the Hall. The chamber floor is laid with black and white marble tiles; the black marble was purchased specifically for the chamber, while the white marble was scrap material from the Capitol extension project. The four fireplaces on the south side of the room, in conjunction with an ingenious central heating system, warmed the room during cold months.

Only two of the many statues presently in the room were commissioned for display in the original Hall of the House. Enrico Causici's neoclassical plaster Liberty and the Eagle looks out over the Hall from a niche above the colonnade behind what was once the Speaker's rostrum. The sandstone relief eagle in the frieze of the entablature below was carved by Giuseppe Valaperta. Above the door leading into the Rotunda is the Car of History by Carlo Franzoni. This neoclassical marble sculpture depicts Clio, the Muse of History, riding in the chariot of Time and recording events in the chamber below. The wheel of the chariot contains the chamber clock; the works are by Simon Willard.

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Adapted from the Wikipedia article "Description of the Hall", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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