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Madchester - Before Madchester |  | Madchester - Before Madchester: Encyclopedia II - Madchester - Before Madchester |  | The music scene in Manchester immediately before the Madchester era had been dominated by indie bands The Smiths, New Order and The Fall. These bands were to become a major influence on the Madchester scene, but just as important was the Haçienda nightclub.
The Haçienda had been opened by Factory Records in 1982. For the first few years of its life it played predominantly indie music, but gradually began featuring more disco, hip-hop and electro (in this respect, the club enjoyed a relationship of m ...
See also:Madchester, Madchester - Before Madchester, Madchester - Madchester artists' early careers, Madchester - Madchester begins, Madchester - Baggy, Madchester - Madchester hits the big time, Madchester - Commercial success, Madchester - Decline, Madchester - Legacy, Madchester - Musical legacy, Madchester - Impact on Manchester, Madchester - Discography, Madchester - Key Madchester recordings, Madchester - Madchester-era best of compilations |  | | Madchester, Madchester - Baggy, Madchester - Before Madchester, Madchester - Commercial success, Madchester - Decline, Madchester - Discography, Madchester - Impact on Manchester, Madchester - Key Madchester recordings, Madchester - Legacy, Madchester - Madchester artists' early careers, Madchester - Madchester begins, Madchester - Madchester hits the big time, Madchester - Madchester-era best of compilations, Madchester - Musical legacy |  | |
|  |  | Madchester: Encyclopedia II - Madchester - Before Madchester
Madchester - Before Madchester
The music scene in Manchester immediately before the Madchester era had been dominated by indie bands The Smiths, New Order and The Fall. These bands were to become a major influence on the Madchester scene, but just as important was the Haçienda nightclub.
The Haçienda had been opened by Factory Records in 1982. For the first few years of its life it played predominantly indie music, but gradually began featuring more disco, hip-hop and electro (in this respect, the club enjoyed a relationship of mutual influence with its part-owners New Order).
In 1986, it became the first club outside the US to start playing house music, with DJs Mike Pickering and Graeme Park hosting the Nude night on Fridays. This night quickly became legendary, and helped to turn around the reputation and fortunes of the Haçienda, which went from making a consistent loss to being full every night of the week by early 1987.
Another key factor in the build-up to Madchester towards the end of that year was the sudden arrival of the drug ecstasy in the city - legend has it that a friend of the Happy Mondays was a pioneer in bringing the drug into the country from Amsterdam. According to Haçienda DJ Dave Haslam: "Ecstasy use changed clubs forever; a night at the Hacienda went from being a great night out, to an intense, life changing experience" [1].
During 1988 Acid House became popular throughout the UK, another influence on the club culture building in Manchester.
Other related archives1980s, 1990s, 808 State, A Guy Called Gerald, Acid House, Alan "Reni" Wren, Alanis Morissette, Alexandra Palace, Amsterdam, BBC, BBC2, Battle of the Bands, Bernard Sumner, Birmingham, Blur, Britpop, Bummed, Cambridge, Candy Flip, Chemical Brothers, Cheshire, City centre, Clint Boon, Colchester, EP, Factory Records, Flowered Up, Fontana, Frankie Knuckles, Gary "Mani" Mounfield, Gay Village, Glasgow, Greater Manchester Police, Hammond organ, Happy Mondays, Haçienda, Haçienda nightclub, Ian Brown, Ibiza, Inspiral Carpets, James, John Cale, John Leckie, John Peel, John Squire, Liverpool, London, Longsight, MC Tunes, Manchester, Manchester G-Mex, Mark "Bez" Berry, Martin Hannett, Melody Maker, Mersey, Mint Royale, Morrissey, Moss Side, NME, New Fast Automatic Daffodils, New Order, Noel Gallagher, Northern Quarter, Northside, Northwich, Oasis, Ocean Colour Scene, Oldham, Oldham Street, Oxford, Paul, Peter Hook, Pills 'n' Thrills and Bellyaches, Reni, Rough Trade Records, Ruthless Rap Assassins, Saint Etienne, Salford, Sean O'Hagan, Seattle, Second Coming, Shaun Ryder, Silvertone Records, Sire Records, Some Friendly, Soup Dragons, Spike Island, Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), Stone Roses, The 8.15 From Manchester, The Charlatans, The Fall, The Farm, The Madchester Rave On EP, The Mock Turtles, The Smiths, The Stone Roses, Tim Booth, Tim Burgess, Timperley, Tom Hingley, Top of the Pops, UK, University of Manchester, Vince Clarke, Voodoo Ray, Wales, Wogan, Woodstock, Yes Please!, acid house, alternative, baggy, bandwagon, big beat, city centre, dance music, debut album, disco, ecstasy, electro, funk, grunge, hip-hop, hip-hop music, home city, house music, indie, indie music, marketing, media hype, music scene, psychedelia, rave, remix, retro, roadie, shoegazing, south of England, surrounding administrative areas, wah-wah
 Adapted from the Wikipedia article "Before Madchester", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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