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Kedleston Hall - Gardens and grounds

Kedleston Hall - Gardens and grounds: Encyclopedia II - Kedleston Hall - Gardens and grounds

The gardens and grounds, as they appear today are largely the concept of Robert Adam. Adam was asked to Nathaniel Curzon in 1758 to "take in hand the deer park and pleasure grounds". The landscape gardener William Emes had begun work at Kedleston in 1756, and he continued in Curzon's employ until 1760; however, it was Adam who was the guiding influence. It was during this period that the former gardens designed by Charles Bridgeman were swept away in favour of a more natural looking landscape. Bridgeman's canals and geo ...

See also:

Kedleston Hall, Kedleston Hall - External design, Kedleston Hall - Interior, Kedleston Hall - Gardens and grounds

Kedleston Hall, Kedleston Hall - External design, Kedleston Hall - Gardens and grounds, Kedleston Hall - Interior, Kedleston Hall information at the National Trust, Kedleston Hall Garden — information on garden history, Drawings and photos

Kedleston Hall: Encyclopedia II - Kedleston Hall - Gardens and grounds



Kedleston Hall - Gardens and grounds

The gardens and grounds, as they appear today are largely the concept of Robert Adam. Adam was asked to Nathaniel Curzon in 1758 to "take in hand the deer park and pleasure grounds". The landscape gardener William Emes had begun work at Kedleston in 1756, and he continued in Curzon's employ until 1760; however, it was Adam who was the guiding influence. It was during this period that the former gardens designed by Charles Bridgeman were swept away in favour of a more natural looking landscape. Bridgeman's canals and geometric ponds were metamorphosed into serpentine lakes.

Adam designed numerous temples and follies, many of which were never built, those that were include the North lodge which takes the form of a triumphal arch, the entrance lodges in the village, a bridge, cascade and the Fishing Room. The Fishing Room is one of the most noticeable of the parks buildings, in the neoclassical style it is sited on the edge of the upper lake and contains a cold bath and boat house below. Some of Adam's unexecuted design for follies in the park rivalled in grandeur the house itself. A "View Tower" designed in 1760, 84 feet high and 50 feet wide on five floors, surmounted by a saucer dome flanked by the smaller domes of flanking towers it would have been a small neoclassical palace itself. Adam planned to transform even mundane utilitarian buildings into architectural wonders, a design for a pheasant house (a platform to provide a vantage point for the game shooting) became a domed temple, the roofs of its classical porticos providing the necessary platforms; this plan too was never completed.

In the 1770s George Richardson designed the hexagonal summerhouse, and in 1800 the orangery. The Long Walk was laid out in 1760 and planted with flowering shrubs and ornamental trees. In 1763 it was reported that Lord Curzon had given his gardener a seed from rare and scarce Italian shrub, the "Rodo Dendrone" (sic).

The gardens and grounds today over two hundred years later remain mostly unaltered.




Adapted from the Wikipedia article "Gardens and grounds", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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