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Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song

Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song: Encyclopedia II - Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song

In addition to the body of his poetic work, Nazrul - who was also a talented musician - composed more than three thousand songs. After the success of his early poetry, and his increasing stature in literary and political circles, Nazrul started setting his words to music from the late 1920s onwards. This music constitutes an entire genre in Bengali music today, under the name of nazrul-geeti, remaining immensely popular, involving with a large number of artistes and ...

See also:

Kazi Nazrul Islam, Kazi Nazrul Islam - Early life, Kazi Nazrul Islam - Literary career, Kazi Nazrul Islam - Politics, Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song, Kazi Nazrul Islam - Illness and later life

Kazi Nazrul Islam, Kazi Nazrul Islam - Early life, Kazi Nazrul Islam - Illness and later life, Kazi Nazrul Islam - Literary career, Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song, Kazi Nazrul Islam - Politics, Complete Works of Kazi Nazrul Islam, BanglaMusic.com page on Nazrul's Music and his life, Nazrul entry in Banglapedia, Nazrul Islam Website

Kazi Nazrul Islam: Encyclopedia II - Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song



Kazi Nazrul Islam - Nazrul-Geeti: Oeuvre in Song

In addition to the body of his poetic work, Nazrul - who was also a talented musician - composed more than three thousand songs. After the success of his early poetry, and his increasing stature in literary and political circles, Nazrul started setting his words to music from the late 1920s onwards. This music constitutes an entire genre in Bengali music today, under the name of nazrul-geeti, remaining immensely popular, involving with a large number of artistes and an active recording industry, both in West Bengal and Bangladesh.

In this dark cotton cloud rain
The forest has spread out green
Beyond its boundaries
O where are you
In this dark cotton cloud rain. . .

His fiery patriotic songs are also notable:

Breaking down the doors of dawn
We shall bring the morning on
Shredding darkness with our song
    We shall overcome.

(From Chal-Chal-Chal)

Nazrul became associated with the Kallol literary group and also continued his political activity, running for election in 1926. For a period, a large number of his writings were banned. Other notable books of poems and songs from this period include Dolonchampa(1923), Bisher Bansi (The poisonous flute, 1924), Bhangar Gan (Songs of break-up, 1924), Puber Haoya (The east wind 1925) and Bulbul(1928).

Nazrul lived in divisive times. Religious communalism was on the rise, Muslims felt disenfranchised and alienated in the majority Hindu culture. There were a number of Hindu-Muslim riots, culminating in an upsurge of carnage at the time of the independence of India and Pakistan from British rule in 1947, when the British Empire was divided into three parts along religious lines. Through all this, Nazrul remained committedly non-communal, writing both Shyama-Sangeet in praise of Kali, as well as Islamic Hamd songs.

His wife Pramila Devi was Hindu and he chose Sanskritic names for his sons.

In later years, his liberal views on religion came under attack from the Muslim right.




Adapted from the Wikipedia article "Nazrul-Geeti: Oeuvre in Song", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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