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Joni Mitchell - Geffen era

Joni Mitchell - Geffen era: Encyclopedia II - Joni Mitchell - Geffen era

The 1980s saw Mitchell's lowest recorded output since the beginning of her career. Only three albums of new material appeared, and none of them made an impression. 1982's Wild Things Run Fast was an attempt to return to pop songwriting, including cover versions of "Unchained Melody" and "(You're So Square) Baby I Don't Care". It was influenced largely by Mitchell's marriage to producer Larry Klein - Mitchell herself referred to the songs in several interviews as "I love Larry" songs. Although the songwriting was solid, the set was released at a time where multi-layered, darker music in the ...

See also:

Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles

Joni Mitchell, Joni Mitchell - 1970s success, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Discography, Joni Mitchell - Early life, Joni Mitchell - Geffen era, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Jazz period, Joni Mitchell - Singles, Joni Mitchell - Turbulent 1990s, Rolling Stone's List of the 100 Greatest Guitarists of All Time

Joni Mitchell: Encyclopedia II - Joni Mitchell - Geffen era



Joni Mitchell - Geffen era

The 1980s saw Mitchell's lowest recorded output since the beginning of her career. Only three albums of new material appeared, and none of them made an impression. 1982's Wild Things Run Fast was an attempt to return to pop songwriting, including cover versions of "Unchained Melody" and "(You're So Square) Baby I Don't Care". It was influenced largely by Mitchell's marriage to producer Larry Klein - Mitchell herself referred to the songs in several interviews as "I love Larry" songs. Although the songwriting was solid, the set was released at a time where multi-layered, darker music in the New Wave and New Romantic genres prevailed.

British synth-pop performer and producer Thomas Dolby was brought on board for Dog Eat Dog (1985), but the synthesizer and drum machine-led arrangements, coupled with some of Mitchell's most strident and angry lyrics, have dated far quicker than Mitchell's earlier work.

Chalk Mark in a Rainstorm (1988) saw Mitchell collaborating with a wealth of talent, including Willie Nelson, Billy Idol, Wendy and Lisa, Tom Petty and Don Henley. The songs spanned several genres, including a duet with Peter Gabriel on "My Secret Place" that harkened back to "classic" Mitchell material. Although there are some jarring transitions in genre ("Dancing Clown" and "Cool Water"), the multi-layered synthesized sounds on "My Secret Place", "Beat of Black Wings" and "Tea Leaf Prophecy" were a better marriage of Mitchell's voice to electronica.

After the release of Chalk Mark in a Rainstorm, Mitchell participated in Roger Waters' massive performance of The Wall in Berlin.

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Adapted from the Wikipedia article "Geffen era", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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