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Joni Mitchell - 1970s success

Joni Mitchell - 1970s success: Encyclopedia II - Joni Mitchell - 1970s success

Mitchell's confessional approach deepened on Blue (1971), widely considered the best of this period. Exploring the various facets of relationships, from infatuation on "A Case of You" to insecurity on "This Flight Tonight", the songs featured an increasing use of piano and Appalachian dulcimer on "Carey" , "California" and "All I Want." Others were piano led, some exhibiting the rhythms associated with rock music. The more straightforward "rock" influence was still strong on her next two albums, recorded for new label Asylum. < ...

See also:

Joni Mitchell, Joni Mitchell - Early life, Joni Mitchell - 1970s success, Joni Mitchell - Jazz period, Joni Mitchell - Geffen era, Joni Mitchell - Turbulent 1990s, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Discography, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Singles

Joni Mitchell, Joni Mitchell - 1970s success, Joni Mitchell - Albums, Joni Mitchell - Compilations, Joni Mitchell - Discography, Joni Mitchell - Early life, Joni Mitchell - Geffen era, Joni Mitchell - I hate music: the 2000s, Joni Mitchell - Influence, Joni Mitchell - Jazz period, Joni Mitchell - Singles, Joni Mitchell - Turbulent 1990s, Rolling Stone's List of the 100 Greatest Guitarists of All Time

Joni Mitchell: Encyclopedia II - Joni Mitchell - 1970s success



Joni Mitchell - 1970s success

Mitchell's confessional approach deepened on Blue (1971), widely considered the best of this period. Exploring the various facets of relationships, from infatuation on "A Case of You" to insecurity on "This Flight Tonight", the songs featured an increasing use of piano and Appalachian dulcimer on "Carey" , "California" and "All I Want." Others were piano led, some exhibiting the rhythms associated with rock music.

The more straightforward "rock" influence was still strong on her next two albums, recorded for new label Asylum. For the Roses (1972), whose title track continued her exploration of the themes of "For Free," sold well, supported by the country-influenced hit single "You Turn Me On, I'm a Radio". But it was Court and Spark (1974), a hybrid of pop, rock, and folk with a jazzy sheen, that proved to be a huge success, producing such classic songs as "Free Man in Paris" (inspired by stories told by her producer and then-friend David Geffen), "Car On A Hill" and, most notably, "Help Me", which, to this day, remains her best selling single (it reached the Top Ten).

Court and Spark was also notable for the first echoes of the influence of jazz on Mitchell's work, and despite the commercial success of that album and the subsequent live record "Miles of Aisles," she would spend the rest of the decade following that muse and creating more free-form, jazz-inflected music.

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Adapted from the Wikipedia article "1970s success", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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