Indo-Greek Kingdom: Encyclopedia II - Indo-Greek Kingdom - Religion

Indo-Greek Kingdom - Religion

In addition to the worship of the Classical pantheon of the Greek deities found on their coins (Zeus, Herakles, Athena, Apollo...), the Indo-Greeks were involved with local faiths, particularly with Buddhism, but also with Hinduism and Zoroastrianism.

Indo-Greek Kingdom - Buddhism

Main article: Greco-Buddhism

The Edicts of Ashoka, inscribed during the reign of the Indian emperor Ashoka (273-232 BCE), claim that the Greek populations of the northwestern Indian subcontinent (in today's Afghanistan and ancient Gandhara) had already welcomed Buddhism by around 250 BCE:

After the Greco-Bactrians militarily occupied northern India from around 180 BCE, numerous instances of interaction between Greeks and Buddhism are recorded.

Menander I, one of the most famous successors of Demetrius, ruled from 150 to 135 BCE. He is presented by Greek authors as an even greater conqueror than Alexander the Great. Strabo (XI.II.I) says Menander was one of the two Bactrian kings who extended their power farthest into India.

Menander, the "Saviour king", seems to have converted to Buddhism, and is described in Buddhist texts as a great benefactor of the religion, on a par with Ashoka or the future Kushan emperor Kanishka. He is famous for his dialogues with the Buddhist monk Nagasena, transmitted to us in the Milinda Panha, which explain that he became a Buddhist arhat:

Upon his death, the honour of sharing his remains was claimed by the various cities under his rule, and they were enshrined in "monuments" (probably stupas), in a parallel with the historic Buddha:

During the reign of Menander, the Greek (Pali: Yona, lit: "Ionian") Buddhist monk Mahadhammarakkhita (Sanskrit: Mahadharmaraksita) is said to have come from Alasandra (thought to be Alexandria of the Caucasus, the city founded by Alexander the Great, near today's Kabul) with 30,000 monks for the foundation ceremony of the Maha Thupa ("Great stupa") at Anuradhapura in Sri Lanka, indicating the importance of Buddhism within Greek communities in northwestern India, and the prominent role Greek Buddhist monks played in them:

Several Buddhist dedications by Greeks in India are recorded, such as that of the Greek meridarch (civil governor of a province) named Theodorus, describing in Kharoshthi how he enshrined relics of the Buddha. The inscriptions were found on a vase inside a stupa, dated to the reign of Menander or one his successors in the 1st century BCE (Tarn, p391):

Although the spread of Buddhism to Central Asia and Northern Asia is usually associated with the Kushans, a century or two later, there is a possibility that it may have been introduced in those areas from Gandhara "even earlier, during the time of Demetrius and Menander" (Puri, "Buddhism in Central Asia").

From around 180 BCE, Agathocles and Pantaleon, probable successors to Demetrius I in the Paropamisadae, and the earliest Greek kings to issue Indian-standard square bilingual coins (in Brahmi), depicted the Buddhist lion together with the Hindu goddess Lakshmi. These coins show an unprecedented willingness to adapt to every aspect of the local culture: shape of the coinage, coinage size, language, and religion.

Later, some Indo-Greek coins incorporate the Buddhist symbol of the eight-spoked wheel, such as those of Menander I, as well as his probable grandson Menander II. On these coins, the wheel is associated with the Greek symbols of victory, either the palm of victory, or the victory wreath handed over by the goddess Nike.

The ubiquitous symbol of the elephant may or may not have been associated with Buddhism. Interestingly, on some coin series of Antialcidas, the elephant holds the same relationship to Zeus and Nike as the Buddhist wheel on the coin of Menander II, tending to suggest a common meaning for both symbols. Some of the earlier coins of king Apollodotus I directly associate the elephant with Buddhist symbolism, such as the stupa hill surmounted by a star, also seen, for example on the coins of the Mauryan Empire or those of the later Kuninda kingdom. Conversely, the bull is probably associated with Shiva, and often described in an erectile state as on the coins of Apollodotus I.

Also, after the reign of Menander I, several Indo-Greek rulers, such as Agathokleia, Amyntas, Nicias, Peukolaos, Hermaeus, Hippostratos and Menander II, depicted themselves or their Greek deities forming with the right hand a symbolic gesture identical to the Buddhist vitarka mudra (thumb and index joined together, with other fingers extended), which in Buddhism signifies the transmission of the Buddha's teaching.

At precisely the same time, right after the death of Menander, several Indo-Greek rulers also started to adopt on their coins the Pali title of "Dharmikasa", meaning "follower of the Dharma" (the title of the great Indian Buddhist king Ashoka was Dharmaraja "King of the Dharma" ^[8]). This usage was adopted by Strato I, Zoilos I, Heliokles II, Theophilos, Peukolaos, Menander II and Archebios.

Altogether, the conversion of Menander I to Buddhism suggested by the Milinda Panha seems to have triggered the use of Buddhist symbolism in one form or another on the coinage of close to half of the kings who succeeded him. Especially, all the kings after Menander who are recorded to have ruled in Gandhara (apart from the little known Demetrius III) display Buddhist symbolism in one form or another. On the contrary, none of the kings whose rule was limited to Punjab did display Buddhist signs (with the exception of the powerful Hippostratos, who probably took under his protection many Gandharan Greeks fleeing from the Indo-Scythians (Tarn).).

A 2nd century BCE relief from a Buddhist stupa in Bharhut, in eastern Madhya Pradesh (today at the Indian Museum in Calcutta), represents a foreign soldier with the curly hair of a Greek and the royal headband with flowing ends of a Greek king. In his left hand, he hold a branch of ivy, symbol of Dionysos. Also parts of his dress, with rows of geometrical folds, are characteristically Hellenistic in style. On his sword appears the Buddhist symbol of the three jewels, or Triratana.

The anthropomorphic representation of the Buddha is absent from Indo-Greek coinage, suggesting that the Indo-Greek kings may have respected the Indian aniconic rule for Buddhist depictions, limiting themselves to Buddhist symbolism only. Consistently with this perspective, the actual depiction of the Buddha would be a later phenomenon, usually dated to the 1st century CE, emerging from the sponsorship of the syncretic Kushan Empire and executed by Greek, and, later, Indian and possibly Roman artists. Datation of Greco-Buddhist statues is generally uncertain, but they are at least firmly established from the 1st century CE.

Another possibility is that the Indo-Greeks may not have considered the Buddha strictly as a God, but rather as an essentially human sage or philosopher, in line with the traditional Nikaya Buddhist doctrine. Just as philosophers were routinely represented in statues (but certainly not on coins) in Antiquity, the Indo-Greek may have initiated anthropomorphic representations of the Buddha in statuary only, possibly as soon as the 2nd-1st century BCE, as advocated by Foucher and suggested by Chinese murals depicting Emperor Wu of Han worshipping Buddha statues brought from Central Asia in 120 BCE (See picture) ). The willingness of ancient Greeks to represent local deities is also attested in Egypt with the creation of the god Serapis in Hellenistic style, an adaptation of the Egyptian god Apis. An Indo-Chinese tradition also explains that Nagasena, also known as Menander's Buddhist teacher, created in 43 BCE in the city of Pataliputra a statue of the Buddha, the Emerald Buddha, which was later brought to Thailand.

Stylistically, Indo-Greek coins generally display a very high level of Hellenistic artistic realism, which declined drastically around 50 BCE with the invasions of the Indo-Scythians, Yuezhi and Indo-Parthians. The first known statues of the Buddha are also very realistic and Hellenistic in style and are more consistent with the pre-50 BCE artistic level seen on coins. This would tend to suggest that the first statues were created between 130 BCE (death of Menander) and 50 BCE, precisely at the time when Buddhist symbolism appeared on Indo-Greek coinage. From that time, Menander and his successors may have been the key propagators of Buddhist ideas and representations: "the spread of Gandhari Buddhism may have been stimulated by Menander's royal patronage, as may have the development and spread of Gandharan sculpture, which seems to have accompanied it" (Mc Evilly, "The shape of ancient thought", p378)

The representation of the Buddha may also be connected to his progressive deification, which is usually associated with the spread of the Indian principle of Bhakti (personal devotion to a deity). Bhakti is a principle which evolved in the Bhagavata religious movement, and is said to have permeated Buddhism from about 100 BCE, and to have been a contributing factor to the representation of the Buddha in human form. The association of the Indo-Greeks with the Bhagavata movement is documented in the inscription of the Heliodorus pillar, made during the reign of the Indo-Greek king Antialcidas (r.c. 115-95 BCE). At that time relations with the Sungas seem to have improved, and some level of religious exchange seems to have occurred. The point of time when bhakti fervour would have encountered the Hellenistic artistic tradition would then be around 100 BCE.

Most of the early images of the Buddha (especially those of the standing Buddha) are anepigraphic, which makes it difficult to have a definite datation. The earliest known image of the Buddha with approximate indications on date is the Bimaran casket, which has been found buried with coins of the Indo-Scythian king Azes II (or possibly Azes I), indicating a 30-10 BCE date ^[9], although this date is not undisputed. Such datation, as well as the general Hellenistic style and attitude of the Buddha on the Bimaran casket (himation dress, contrapposto attitude, general depiction) would made it a possible Indo-Greek work, used in dedications by Indo-Scythians right after the end of Indo-Greek rule in the area of Gandhara. Since it already displays quite a sophisticated iconography (Brahma and Indra as attendants, Bodhisattvas) in an advanced style, it would suggest much earlier representations of the Buddha were already current by that time, going back to the rule of the Indo-Greeks (Alfred A. Foucher and others).

Indo-Greek Kingdom - Hinduism

The first known bilingual coins of the Indo-Greeks were issued by Agathocles around 180 BCE. These coins were found in Ai-Khanoum, the great Greco-Bactrian city in northeastern Afghanistan, but introduce for the first time an Indian script (the Brahmi script which had been in use under the Mauryan empire), and the first known representations of Hindu deities, in a very Indian iconography: Krishna-Vasudeva, with his large wheel with six spokes (chakra) and conch (shanka), and his brother Samkarsa-Balarama, with his plough (hala) and pestle (masala), both early avatars of Vishnu ^[10]. The square coins, instead of the usual Greek round coins, also followed the Indian standard for coinage. The dancing girls on some of the coins of Agathocles and Pantaleon are also sometimes considered as representations of Subhadra, Krishna's sister.

These first issues were in several respects a short-lived experiment. Hindu anthropomorphic deities were never again represented in Indo-Greek coinage (although the bull on the vast quantity of subsequent coins may have symbolized Shiva, as the elephant may have symbolized Buddhism), and the Brahmi script was immediately replaced by the Kharoshti script, derived from Aramaic. The general practice however of minting bilingual coins and combining Greek and Indian iconography, sometimes in the Greek and sometimes in the Indian standard continued for the next two centuries.

In any case, these coins suggest the strong presence of Indian religious traditions in the northwestern Indian subcontinent at that time, and the willingness of the Greeks to acknowledge and even promote them. Artistically, they tend to indicate that the Greeks were not particularly reluctant to make representations of local deities, which has some bearing on the later emergence of the image of the Buddha in Hellenistic style.

The Heliodorus pillar inscription is another epigraphical evidence of the interaction between Greeks and Hinduism. The pillar was erected around 110 BCE in central India at the site of Vidisha, by Heliodorus, a Greek ambassador of the Indo-Greek king Antialcidas to the court of the Sunga king Bhagabhadra. The pillar was surmounted by a sculpture of Garuda and was apparently dedicated by Heliodorus to the temple of Vasudeva.

Indo-Greek Kingdom - Zoroastrianism

Persian culture and religion seem to have been rather influencial among the Western Indo-Greeks, who, located around the Paropamisadae, lived in direct contact with the Central Asian cultural sphere and the eastern reaches of the Parthian empire. Images of the Persian Zoroastrian god Mithra appear extensively on the Indo-Greek coinage of the Western kings, as a god with a radiated phrygian cap.

This Zeus-Mithra god is also the one represented seated (with the rays around the head, and a small protrusion on the top of the head representing the cap) on many coins of Hermaeus, Antialcidas or Heliokles II, or possibly even earlier during the time of Eucratides I, on whose coins the deity is said to be the god of the city of Kapisa.

The future Buddha Maitreya, usually represented seated on a throne Western-style, and venerated both in Mahayana and non-Mahayana Buddhism, is sometimes considered as influenced by the god Mithra. "Some scholars suggest he (Maitreya) was originally linked to the Iranian saviour-figure Mitra, and that his later importance for Buddhist as the future Buddha residing in the Tusita heaven, who will follow on from Sakyamuni Buddha, derives from this source." (Keown, Dictionary of Buddhism)

Adapted from the Wikipedia article "Religion", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki