Home Forums Blogs Articles Photos Videos Contact FAQ

Don Rico - Background

Don Rico - Background: Encyclopedia II - Don Rico - Background

Don Rico created striking wood engravings of gloomy Depression-era life for the W.P.A. Federal Art Project in the mid-to-late 1930s. He began his comics career in 1940 at Victor A. Fox's Fox Publications and later worked on some of the earliest stories of the Golden Age Daredevil in Lev Gleason Publications' Silver Streak Comics, helping to establish a character that would go on to a highly celebrated r ...

Don Rico: Encyclopedia II - Don Rico - Background

Don Rico - Background

Don Rico created striking wood engravings of gloomy Depression-era life for the W.P.A. Federal Art Project in the mid-to-late 1930s. He began his comics career in 1940 at Victor A. Fox's Fox Publications and later worked on some of the earliest stories of the Golden Age Daredevil in Lev Gleason Publications' Silver Streak Comics, helping to establish a character that would go on to a highly celebrated run in his own title under Charles Biro.

Joining the staff at Timely Comics, a forerunner of Marvel Comics, by 1943, Rico variously wrote/drew for characters including Captain America (including the lead story in All Select Comics #1), the Whizzer (including in All Winners Comics #11), the Destroyer, the Blonde Phantom, the Terror (in Mystic Comics), Venus, and the Young Allies.

Other Golden Age credits include work in America's Greatest Comics and Bulletman (Fawcett Publications), Black Hood Comics and the dual-hero Shield-Wizard Comics (MLJ), Blue Bolt Comics (Novelty Press), Captain Battle and Captain Battle Junior (Lev Gleason Publications), Fantastic Comics and Weird Comics (Fox Comics), Fight Comics and Planet Comics (Fiction House), and National Comics, Smash Comics and Target Comics (Quality Comics).

In the following decade, Rico became one of the six primary writers for Marvel's 1950s predecessor, Atlas Comics, along with Hank Chapman, Carl Wessler, Paul S. Newman, editor Stan Lee, and, doing teen humor, future MAD Magazine cartoonist Al Jaffee. Among the Atlas titles for which Rico wrote are Adventures into Terror, Astonishing, Jann of the Jungle, Jungle Action (where he co-created Leopard Girl with artist Al Hartley), Jungle Tales, Lorna, the Jungle Girl (originally Lorna, the Jungle Queen), Marvel Tales, Suspense and Strange Tales. Rico, by now primarily a writer, briefly returned to comic art as an illustrator of the Atlas series Bible Tales for Young Folk.

Rico wrote only twice for Marvel during the Silver Age of comics, with a Doctor Strange story in Strange Tales #129 (Feb. 1965), and, scripting a plot by Stan Lee, the Iron Man story that debuted the Black Widow, in Tales of Suspense #52 (April 1964). On both, he used the pseudonym N. Korok, later explaining he hadn't wanted his paperback-book publisher to know he was taking on lower-paying comic-book work [1].

Rico and cartoonist Sergio Aragones two of the 16 comic-book professionals given the lifetime-achievement Inkpot Award at the 1976 Comic-Con International in San Diego. The Following year, Rico, Aragones, and television and comic-book writer Mark Evanier co-founded the Comic Art Professional Society (CAPS). Rico also worked with Aragones as scripter for the artist-plotter's detective strip "T.C. Mars" in Joe Kubert's magazine Sojourn. In 1979, Rico drew the cover and wrote an introduction for a 128-page anthology of black-and-white reprints, The Magnificent Superheroes of Comics [sic] Golden Age #1 (Vintage Features).

Rico co-wrote, with Don Henderson, the story basis for the bisexual-vampiress horror movie Mary, Mary, Bloody Mary (U.S.-Mexico, 1975), by director Juan Lopez Moctezuma and scripter Malcolm Marmorstein.

Rico's other pseudonyms include Dan Rico, Donella St. Michaels, Donna Richards, and Joseph Milton.