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Cinema of France - Notable contemporary French cinema personalities | | Cinema of France - Notable contemporary French cinema personalities: Encyclopedia II - Cinema of France - Notable contemporary French cinema personalities | |
Cinema of France - Actors.
Isabelle Adjani
Renée Adorée
Anouk Aimée
Mathieu Amalric
Fanny Ardant
Jean-Pierre Aumont
Daniel Auteuil
Charles Aznavour
Emmanuelle Béart
Monica Bellucci
Juliette Binoche — Academy Award winner for her role in The English Patient
Bernard Blier
Bourvil
Charles Boyer
Capucine
Leslie Caron
Vincent Cassel
Aurore Clément< ...
See also:Cinema of France, Cinema of France - History, Cinema of France - Late 19th century to early 20th century, Cinema of France - Post-World War II: 1940s-1970s, Cinema of France - 1980s, Cinema of France - 1990s, Cinema of France - Current situation, Cinema of France - Notable contemporary French cinema personalities, Cinema of France - Actors, Cinema of France - Directors, Cinema of France - Literature | | | Cinema of France, Cinema of France - 1980s, Cinema of France - 1990s, Cinema of France - Actors, Cinema of France - Current situation, Cinema of France - Directors, Cinema of France - History, Cinema of France - Late 19th century to early 20th century, Cinema of France - Literature, Cinema of France - Notable contemporary French cinema personalities, Cinema of France - Post-World War II: 1940s-1970s, History of cinema, Culture of France, List of French language films | | |
| | | Cinema of France: Encyclopedia II - Cinema of France - Notable contemporary French cinema personalities
Cinema of France - Notable contemporary French cinema personalities
Cinema of France - Actors
- Isabelle Adjani
- Renée Adorée
- Anouk Aimée
- Mathieu Amalric
- Fanny Ardant
- Jean-Pierre Aumont
- Daniel Auteuil
- Charles Aznavour
- Emmanuelle Béart
- Monica Bellucci
- Juliette Binoche — Academy Award winner for her role in The English Patient
- Bernard Blier
- Bourvil
- Charles Boyer
- Capucine
- Leslie Caron
- Vincent Cassel
- Aurore Clément
- Claudette Colbert
- Valérie Crunchant
- Alain Delon
- Julie Delpy
- Catherine Deneuve
- Gérard Depardieu
- Jérémie Elkaïm
- Fernandel
- Louis de Funès
- Judith Godrèche
- Eva Green
- Isabelle Huppert
- Irène Jacob
- Virginie Ledoyen
- Sophie Marceau, Princess Isabelle in Braveheart, a Bond girl
- Jean Marais
- Mistinguett
- Jean Reno
- Stéphane Rideau
- Ludivine Sagnier
- Emmanuelle Seigner
- Simone Signoret
- Audrey Tautou
- Marie Trintignant
- Michael Vartan
- Hervé Villechaize
Cinema of France - Directors
- Jean-Jacques Annaud
- Olivier Assayas
- Luc Besson
- Bertrand Blier
- Catherine Breillat
- Robert Bresson
- Léos Carax
- Yves Caumon
- Jean-Paul Civeyrac
- Arnaud Desplechin
- Jean Eustache
- Abel Gance
- Michel Gondry
- Jean-Pierre Jeunet
- Mathieu Kassovitz
- Jan Kounen
- Patrice Leconte
- Louis Malle
- André Malraux
- Gaspar Noé
- François Ozon
- Maurice Pialat
- Agnès Varda
Cinema of France - Literature
- Armes, Roy. 1985. French Cinema. London: Secker and Warburg
- Aumont, Jaques. 2000 2nd ed. 'The Fall of the Gods: Jea-Luc *Godard's Le Mepris (1963). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Austen, Guy. 1996. Contemporary French Cinema. Manchester: Manchester University Press
- Boston, Richard. Boudu Saved From Drowning. London: BFI
- Burch, Noel and Sellier, Genevieve. 2000. 'Evil Women in the Post-war French Cinema'. Sieglohr, Ulrike.ed. Heroines Without Heroes. London: Cassell
- Condron, Anne Marie. 1997. Cinema' . Perry, Sheila.Ed. Aspects of Contemporary France London : Routledge
- Darke, Chris. 2005.Alphaville. London: I. B. Tauris. ISBN 1854039869
- Douchet, Jean. 1999. French New Wave. New York: Distributed Art Publishers
- Flitterman-Lewis, Sandy. 1996. To Desire Differently: Feminism and the French Cinema. New York: Columbia University Press
- Forbes, Jill. 2000. 'La Haine'. In Forbes, Jill and Street, Sarah. European Cinema: An Introduction. London: Palgrave
- Forbes, Jill. Les Enfants du Paradise. London: BFI
- Forbes , Jill. 1992 . The Cinema in France After the New Wave. Basingstoke : Macmillan
- Gillain, Anne. 2000 2nd ed. 'The Script of Delinquency: Francois Truffaut's Les 400 coups' (1959). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Graham , Peter. 1997. ' New directions in French Cinema'. Nowell - Smith Geoffrey Ed : Oxford History of World Cinema :Oxford: Oxford University Press
- Greene, Naomi. Landscapes of Loss: The National Past in Postwar French Cinema. Princeton: Princeton University Press
- Hayes, Graeme. 1999. 'Representation, Masculinity, Nation: The Crises of Les Amant du Pont-Neuf (Carax 1991).' Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
- Hayward, Susan. 2000 2nd ed. 'Beyond the Gaze and into femme filmcriture: Agnes Varda's Sans toit ni loit'. Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Hayward, Susan. 1993. French National Cinema. London: Routledge
- Hayward, Susan. 2005. Les Diaboliques. London: I. B. Tauris. ISBN 1845111028
- Hayward, Susan. 2002. 'Luc Besson'. Tasker, Yvonne. ed. Fifty Contemporary Filmmakers : Routledge: London
- Hayward, Susan. 2000 2nd ed. 'Recycled woman and the postmodern aesthetic: Luc Besson's Nikita (1990). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Hayward, Susan and Vincendeau, Ginette.eds. 2000 2nd ed. French Film: texts and contexts. London: Routledge
- Hughes, Alex and Williams James S. Eds. 2001. Gender and French Cinema. Oxford: Berg
- Hughes, Alex and Williams, James S. 2001. ' Introduction'. Hughes, Alex and Williams, James S. Eds. Gender and French Cinema. Oxford: Berg
- Jackel, Anne. 1996. ' European Co-production Strategies: the Case of France and Britain'. Moran, Albert Ed. Film Policy. London: Routledge
- Jackson, Julian. 2001. France the Dark Years. Oxford: Oxford University Press
- Jeancolas, Jean-Pierre. 2000 2nd ed. 'Beneath the despair, the show goes on: MarcelCarne's Les Enfants du paradis (1943-45). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Kaplan, Nelly. Napoleon. London: BFI
- Kedward, H. R. 2000.'The Anti-Carnival of Collaboration'. Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Konstantarakos, Myrto. 1999.'Which Mapping of the City? La Haine (Kassovitz, 1995) and the cinema de banlieue.' Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
- Lanzoni, Remi. 2002. French Cinema: From Its Beginnings to the Present. London: Continuum
- Leahy Sarah and Hayward Susan. 2000. 'The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution? Sieglohr, Ulrike.ed. Heroines Without Heroes. London: Cassell
- Marie, Michel. 2003. (Trans Neupert) The French New Wave, an Artistic School. Oxford: Blackwell
- Marie, Michel. 2000 2nd ed. '"It really does make you sick!': Jean-Luc Godard's a bout de souffle (1959)". Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- MacCabe, Colin.2003.Godard a portrait of the artist at 70.London: Bloomsbury
- Morrey, Douglas. 2005. Jean-Luc Godard. Manchester: Manchester University Press. ISBN 0-7190-6759-6
- Neupert, Richard.2002. A History of the French New Wave Cinema. Madison: University of Wisconsin Press
- Perry, Sheila.Ed.1997. Aspects of Contemporary France. London : Routledge
- Powrie, Phil. Ed. 1999. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
- Powrie, Phil. 1999. 'Heritage, History, and 'New Realism': French Cinema in the 1990s'. Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
- Powrie, Phil. 2002. 'Jean-Jaques Beneix'. Tasker, Yvonne. Ed Fifty Contemporary Filmakers. London: Routledge
- Predal, R. 1991 Le Cinema Francais depuis 1945. Paris Nathan
- Reader, Keith. 2002. 'Laisser-passer'. Sight and Sound Volume 12 Issue 11, pp 49-50
- Sellier, Genevieve. 2001. 'Gender, Modernism and Mass Culture in the New Wave.' Hughes, Alex and Williams, James S. Eds. Gender and French Cinema. Oxford: Berg
- Sorlin, Pierre. 2000 2nd ed. 'A breath of sea air: Jacques Tati's Les Vacances de Monsieur Hulot (1952). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Tarr, Carrie. 1999. 'Ethnicity and Identity in the cinema de banlieue'. Powrie, Phil. Ed. French Cinema in the 1990s: Continuity and Difference. Oxford: OUP
- Thompson, David. 2003. 'Lust for Life'. Sight and Sound. August Vol 13 / Issue 8, pp 30-33
- Vincendeau, Ginette. 2003. 'Ageing Cool'. Sight and Sound. September, Vol 13 Issue 9 pp 26-28
- Vincendeau, Ginette. 2000 2nd ed. 'Designs on the banlieu: Mathieu Kassovitz's La Haine (1995). Hayward, Susan and Vincendeau, Ginette.eds. French Film: texts and contexts. London: Routledge
- Vincendeau, Ginette. 2003. Jean-Pierre Melville. London: BFI
- Vincendeau, Ginette. 1998. Pepe le Moko. London: BFI
- Vincendeau, Ginette. 1997. 'The Popular Art of French Cinema'. Nowell - Smith Geoffrey Ed : Oxford History of World Cinema :Oxford: Oxford University Press
- Vincendeau, Ginette. 2000. Stars and Stardom in French Cinema. London: Continuum
- Vincendeau, Ginette. 'White Collar Blues'. Sight and Sound Volume 12 Issue 4, pp 30-32. ( on Laurent Cantet)
- Warner, Mary. 1993. L'Atalante. London : BFI
- Williams, Alan. 1992. Republic of Images: A History of French Filmaking. Cambridge Mass. : Harvard
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 Adapted from the Wikipedia article "Notable contemporary French cinema personalities", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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