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Wynton Marsalis - Music |  | Wynton Marsalis - Music: Encyclopedia II - Wynton Marsalis - Music |  | The music of Marsalis was part of a movement during the early 1990s countering the perceived excesses of free jazz and fusion. During this period, the styles of Louis Armstrong, Duke Ellington, Charlie Parker and early jazz masters were studied and revitalized. This reinterpretation of earlier music has helped preserve earlier traditions within the genre.
Marsalis's musicianship, his command of jazz history, and outspoken advocacy of the music brought him to the fore of this group of "Young Lions," as they'd come to be called, who sou ...
See also:Wynton Marsalis, Wynton Marsalis - Biography, Wynton Marsalis - Music, Wynton Marsalis - Controversy, Wynton Marsalis - Awards and recognitions, Wynton Marsalis - Discography, Wynton Marsalis - Samples, Wynton Marsalis - External links |  | | Wynton Marsalis, Wynton Marsalis - Awards and recognitions, Wynton Marsalis - Biography, Wynton Marsalis - Controversy, Wynton Marsalis - Discography, Wynton Marsalis - External links, Wynton Marsalis - Music, Wynton Marsalis - Samples, Download sample of "A Wheel Within a Wheel" from Wynton |  | |
|  |  | Wynton Marsalis: Encyclopedia II - Wynton Marsalis - Music
Wynton Marsalis - Music
The music of Marsalis was part of a movement during the early 1990s countering the perceived excesses of free jazz and fusion. During this period, the styles of Louis Armstrong, Duke Ellington, Charlie Parker and early jazz masters were studied and revitalized. This reinterpretation of earlier music has helped preserve earlier traditions within the genre.
Marsalis's musicianship, his command of jazz history, and outspoken advocacy of the music brought him to the fore of this group of "Young Lions," as they'd come to be called, who sought to return jazz to its more melodic, swing roots. Critics such as Tom Piazza of the New York Times felt that these young musicians were overhyped and the movement countered artistic progress. However, he and others believed the movement nonetheless would be the beginning of a new era in jazz. (Southern 573ā574)
Marsalis, by recording both classical and jazz albums, pointed out the importance of the connection of the two genres; some black classical composers of the 1980sā90s, like Marsalis, were jazz musicians during their careers. (Southern 576) The movement connecting jazz and classical music had already begun during the early twentieth century with Ravel, Debussy, and most prominently Gershwin. Avant-garde and jazz composers have become sometimes indistinguishable as the former began to use jazz tonalities and as jazz drew upon the serial techniques and other elements of the classicists, with the most important emphasis in both being the improvisational or quasi-improvisational style. In a 1990 TIME magazine interview on the subject, Marsalis provided his insights:
"Jazz is the primary art form....When it's played properly, it shows you how the individual can negotiate the greatest amount of personal freedom and put it humbly at the service of a group connection" (Southern 577)
Other related archives1961, 1980, 1980s, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, 1990s, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 90s, African-American, Albert Maysles, American, Amherst College, Art Blakey, As of 2004, Bernstein, Brandeis University, Branford Marsalis, Britain, Brown University, Charlie Parker, Columbia Records, Columbia University, Danny Barker, David Frost, December 31, Down Beat, Duke Ellington, Ellis Marsalis, English Chamber Orchestra, Eric Nisenson, FDNY, Fairview Baptist Church Marching Band, Fasch, France, Franz Joseph Haydn, Graham Greene, Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra), Grammy Award for Best Jazz Instrumental Album, Individual or Group, Grammy Award for Best Jazz Instrumental Solo, Grammy Award for Best Spoken Word Album for Children, Grammy Awards of 1983, Grammy Awards of 1984, Grammy Awards of 1985, Grammy Awards of 1986, Grammy Awards of 1987, Grammy Awards of 2000, Grammys, Handel, Haydn, Herbie Hancock, Hindemith, Hummel, Johns Hopkins University, Jolivet, Juilliard School of Music, July 1, Kate Winslet, Kathleen Battle, Ken Burns, L. Mozart, Lester Bowie, Lincoln Center, Louis Armstrong, Manhattan School of Music, Mark O'Connor, Michael Bloomberg, Miles Davis, NYPD, National Medal of Arts, Netherlands, New Orleans, New York City, New York Times, October 18, Poulenc, Princeton University, Pulitzer Prize, Pulitzer Prize for Music, Purcell, Ravel, Raymond Leppard, Royal Academy of Music, Rutgers University, Satchmo, Sousa, Steven Epstein, TIME, Times Square, Tomasi, Torelli, United States, University of Miami, World War II, Yale, avant-garde, classical music, composer, doctorate, drums, free jazz, fusion, jazz, oratorio, pianist, saxophone, slavery, trombone, trumpeter
 Adapted from the Wikipedia article "Music", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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