Ulysses novel: Encyclopedia - Ulysses novel

Ulysses (novel)

Ulysses is a 1922 novel by James Joyce, first serialized in parts in the American journal The Little Review from 1918 to 1920, and published in its entirety by Sylvia Beach in 1922, Paris.

Ulysses chronicles the passage through Dublin by its main character, Leopold Bloom, during an ordinary day, June 16, 1904. The title alludes to the hero of Homer's Odyssey (Latinized version Ulysses), and there are many parallels, both implicit and explicit, between the two works (e.g. the correlations between Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus). June 16 is now celebrated by Joyce's fans worldwide as Bloomsday. Joyce chose that date because he and his future wife, Nora Barnacle, shared their first date on that day.

Ulysses is a massive novel: 267,000 words in total from a vocabulary of 30,000 words, with most editions weighing in at between 800 to 1000 pages, and divided into 18 chapters. The book has been the subject of much controversy and scrutiny, ranging from early obscenity trials to protracted textual debates, but it is generally regarded as a masterwork in Modernist writing. It has been celebrated for its groundbreaking stream-of-consciousness technique, highly experimental prose—full of puns, parodies, allusions—as well as for its rich characterizations and broad humor.

In 1999, the Modern Library ranked Ulysses first on a list of the 100 best novels in English of the 20th century.

Ulysses novel - Genesis

Joyce's first acquaintance with Odysseus was via Charles Lamb's Adventures of Ulysses - an adaptation of the Odyssey for children, which seems to have established the Roman name in Joyce‘s mind. At school he wrote an essay on Ulysses as his "favourite hero" (Gorman, p. 45). He thought about calling Dubliners "Ulysses in Dublin" (Borach, p. 325), but the idea grew from a story in Dubliners in 1906, to a "short book" in 1907 (Ellmann, p. 265), to the vast novel which he began writing in 1914.

Ulysses novel - Publication history

Written over a seven-year period from 1914 to 1921, the novel was serialized in the American journal The Little Review from 1918, until the publication of the Nausicaa episode led to a prosecution for obscenity. The book was first published in its entirety by Sylvia Beach at Shakespeare and Company in Paris in 1922, but was banned in both the United States and United Kingdom until the 1930s. The work was blacklisted by Irish customs.

The publication history of Ulysses is disputed and obscure. There have been at least eleven editions, and possibly as many as eighteen (the discrepancy originating in the difficulty of ascertaining what is a new edition, and what is a mere reprinting). To complicate matters, there are variations between different impressions of each edition, and source information is frequently inaccurate. Notable editions include the first edition, published in Paris on 2 February 1922 (only 1000 copies printed); the pirated Roth edition, published in New York in 1929; the Odyssey Press edition of 1932 (including some revisions by Stuart Gilbert, and therefore sometimes considered the most accurate edition); the first official American edition of Random House, 1934; the first English edition of the Bodley Head, 1936; the revised Bodley Head Edition of 1960; the revised Random House edition of 1961 and the Gabler edition of 1984. The latter three, plus the first 1922 edition, have most recently been in print.

Ulysses novel - Obscenity trial

In 1920 after the magazine The Little Review serialized a passage of the book dealing with the main character masturbating, a group called the New York Society for the Suppression of Vice, who objected to the book's content, took action to attempt to keep the book out of the United States. At a trial in 1921 the magazine was declared obscene and as a result Ulysses was banned in the United States.

The publisher, Random House, decided to try to get the ban lifted. In 1933, an arrangement was made to import the French edition, and the publisher arranged to have a copy seized by customs when the ship was unloaded. A trial, United States v. One Book Called Ulysses, ensued and US District Judge John M. Woolsey issued a ruling on December 6, declaring that the book was not pornographic and therefore could not be obscene. Augustus Noble Hand ruled for the Second Circuit Court of Appeals in affirming the ruling, which allowed the book to be imported into the U.S.

Ulysses novel - The corrected text

According to Jack Dalton (p. 102, 113), the first edition of Ulysses contained over two thousand errors but was still the most accurate edition published. As each subsequent edition attempted to correct these mistakes, it incorporated more of its own. Hans Walter Gabler's 1984 edition was an attempt to produce a corrected text, but it has received much criticism, most notably from John Kidd. Kidd's main criticism is of Gabler's choice of the manuscript as his copy-text (the base edition with which the editor compares each variant). This choice is problematic, in that there is no manuscript as such: Joyce wrote approximately 30% of the final text as marginal notes on the galleys. Gabler had therefore to reconstruct a manuscript, which had never physically existed, by adding together all of Joyce's accretions from the various sources. Whether this is problematic depends on one's perspective: on the one hand, it allowed Gabler to produce a synoptic text, which indicated the stage at which each addition was inserted; on the other, more orthodox theorists (such as Kidd) maintain that the copy-text should be the earliest single existing document—the 1922 edition.

Kidd also criticized a number of specific editorial decisions made by Gabler, but again these seem to be a matter of judgement rather than of right or wrong answers.

At present, the debate about which text of Ulysses is, in fact, the 'correct' or 'proper' version remains vibrant. Many publications of Ulysses will list the previous versions as one of the opening pages.

Ulysses novel - Structure

Ulysses is divided into eighteen chapters. At first glance much of the book may appear unstructured and chaotic, but the two schemata which Stuart Gilbert and Herbert Gorman released after publication to defend Joyce from the obscenity accusations make the links to the Odyssey, and much internal structure, explicit.

Most chapters of Ulysses have an assigned theme, technique and, tellingly, correspondences between its characters and those of the Odyssey. The chapter titles and the correspondences were not included in the original text, but derive from the Linati and Gilbert schema.

The Telemachia:

1. Telemachus
2. Nestor
3. Proteus

The Odyssey:

1. Calypso
2. Lotus-Eaters
3. Hades
4. Aeolus
5. Lestrygonians
6. Scylla and Charybdis
7. The Wandering Rocks
8. Sirens
9. Cyclops
10. Nausicaa
11. Oxen of the Sun
12. Circe

The Nostos:

1. Eumaeus
2. Ithaca
3. Penelope

Ulysses novel - The Telemachia

It is morning. The book opens inside a Martello tower on Dublin Bay at Sandycove, where three young men, Buck Mulligan (a callous, verbally aggressive and boisterous medical student), Stephen Dedalus (a young writer first encountered in A Portrait of the Artist as a Young Man) and Haines (a nondescript Englishman from Oxford) have just woken and are preparing for the day. Stephen, brooding about the recent death of his mother, complains about Haines' hysterical nightmares. Mulligan shaves and prepares breakfast and all three then eat. Haines decides to go to the library and Mulligan suggests swimming beforehand; all three then leave the tower. Walking for a time, Stephen chats with Haines and smokes before leaving, deciding that he cannot return to the tower that evening for Mulligan has usurped his place.

Stephen is at school, attempting to teach bored schoolboys history and English, though they are unappreciative of his efforts. Stephen attempts to tell a riddle which falls flat before seeing the boys out of the classroom. One stays behind so that Stephen may show him how to do a set of arithmetic exercises. Afterwards Stephen visits the school headmaster, Mr. Deasy, from whom he collects his pay and a letter to take to a newspaper office for printing.

Next, Stephen finds his way to the strand and mopes around for some time, doing little more than thinking, reminiscing and walking about on the beach. He lies down among some rocks, watches a couple and a dog, writes some poetry ideas, picks his nose and possibly has a sexual experience.

Ulysses novel - The Odyssey

The role of protagonist suddenly shifts to Leopold Bloom, a Jewish advertising canvasser living nearby in Eccles street preparing breakfast at the same time as Mulligan in the tower. He walks to a butcher to purchase a kidney for his breakfast and returns to finish his cooking. He takes his wife, Molly Bloom, her breakfast and letters and reads his own letter from their daughter, Milly. The chapter closes with his plodding to the outhouse to defecate.

Bloom now begins his day proper, furtively making his way to a post office (by an intentionally indirect route), where he receives a love letter from one 'Martha Clifford' addressed to his pseudonym, 'Henry Flower'. He buys a newspaper and meets an acquaintance; while they chat he attempts to ogle a woman wearing stockings, but is prevented by a passing tram. Next, he reads the letter and tears the envelope up in an alley. Bloom makes his exit via a Catholic church service and thinks about what is going on inside it. He goes to a drugstore then meets another acquaintance, Bantam, whom he unintentionally gives a racing tip for the horse Throwaway. Finally, Bloom ponders his naked state in water as he approaches the baths to wash for the rest of the day.

This chapter is the first with obvious motifs, and these are those of botany, religion, drugs, potions, and guilt and murder.

The episode begins with Bloom entering a funeral carriage with three others, including Stephen's father Simon Dedalus. They make their way to Dignam's funeral, passing Stephen and making small talk on the way. Bloom scans his newspaper. They talk about various deaths, forms of death and the tramline before arriving and getting out. They enter the chapel into the service and subsequently leave with the coffincart. Bloom sees a mysterious anonymous man wearing a mackintosh during the burial and ponders on various subjects some more. Leaving, he points out a dent in a friend's hat.

The main motifs of this episode are death and decay.

At the newspaper office, Bloom attempts to place an ad, while Stephen arrives bringing Deasy's letter about hoof and mouth disease. The two do not meet. The episode is broken up into short sections by newspaper-style headlines, and is characterized by its deliberate abundance of rhetorical figures and devices. Lenehan and Corley appear in this section.

Bloom searches for lunch, eventually dining on a gorgonzola cheese sandwich and a glass of burgundy at Davy Byrne's pub.

At the National Library, Stephen explains to various scholars his biographical theory of the works of Shakespeare, especially Hamlet, whereby they are based largely on the posited adultery of Shakespeare's wife Anne Hathaway. Bloom enters the library to look at some statues on exhibit, but does not encounter Stephen.

In this episode, 19 short vignettes depict the wanderings of various characters, major and minor, through the streets of Dublin. It ends with an account of the cavalcade of the Lord Lieutenant, William Humble, Earl of Dudley, through the streets, where it is encountered by the various characters we have met in the episode. Neither Stephen nor Bloom sees the Viceroy's procession.

This chapter is unique in that it draws Homeric parallels to an instance that is described third hand in The Odyssey. That is to say, the Wandering Rocks are spoken about in The Odyssey, but never experienced by its protagonist, Odysseus. This is perhaps why Joyce disembodies the narrative from the three main characters.

In this episode, dominated by motifs of music, Bloom has dinner with Stephen's uncle Richie Goulding at the Ormond Hotel, while Blazes Boylan proceeds to his rendezvous with Molly. While dining, Bloom watches the seductive barmaids Lydia Douce and Mina Kennedy, and listens to the singing of Simon Dedalus, and others.

This chapter is narrated largely by an unnamed denizen of Dublin, although his style of speech was heavily modeled on John Joyce, Joyce's father. He runs into Hynes and they enter a pub for a drink. At the pub, they meet Alf Bergan and a character referred to only as the 'citizen', who is largely modeled on Michael Cusack, founder of the Gaelic Athletic Association. Eventually, Leopold Bloom enters waiting to meet Martin Cunningham. The citizen is discovered to be a fierce Fenian and begins berating Bloom. The atmosphere quickly becomes anti-Semitic and Bloom escapes upon Cunningham's arrival. The chapter is marked by extended digressions made outside the voice of the unnamed narrator - hyperboles of legal jargon, Biblical passages, Irish mythology, etc., with lists of names often extending half a page. 'Cyclops' refers both to the narrator who is often quoted with 'says I' and the citizen who fails to see the folly of his narrow-minded thinking.

Cissy Caffrey, Edy Boarman, and Gerty MacDowell start the chapter off on the strand near a church. Gerty often daydreams of finding someone to love her. Eventually, Bloom appears and they begin to flirt from a distance. The women are about to leave when the fireworks start. Cissy and Edy leave to get a better view, but Gerty remains. She shows off her legs to Bloom, who, as it turns out, is masturbating. Gerty then leaves, revealing herself to be lame, and leaving Bloom meditating on the beach. The first half of the episode is marked by an excessively sentimental style, and it is unclear how much of Gerty's monologue is actually imagined by Bloom.

Bloom visits the maternity hospital where Mina Purefoy is giving birth, and finally meets Stephen, who is drinking with Buck Mulligan and his medical student friends. They continue on to a pub to continue drinking, following the successful birth of the baby. This chapter is remarkable for Joyce's wordplay, which seems to recapitulate the entire history of the English language to describe a scene in an obstetrics hospital, from the Carmen Arvale:

to something resembling alliterative Anglo-Saxon poetry:

and on through skilful parodies of Malory, the King James Bible, Bunyan, Pepys, Defoe, Addison and Steele, Sterne, Goldsmith, Junius, Gibbon, Lamb, De Quincey, Landor, Dickens, Newman, Ruskin and Carlyle, among others, before concluding in a haze of nearly incomprehensible slang. Indeed, Joyce organized this chapter as three sections divided into nine total subsections, representing the trimesters and months of gestation.

This extremely complicated chapter, structurally, can be further broken down. It consists of 60 paragraphs. The first 10 paragraphs are parodies of Latin and Anglo-Saxon language, the two major predecessors to the English language. These 10 paragraphs can be seen as intercourse and conception. The next 40 paragraphs - representing the 40 weeks of gestation in human embryonic development - begin with Middle English satires, the earliest form of English; they move chronologically forward through the various styles mentioned above. At the end of the 50th paragraph, the baby in the maternity hospital is born, and the final 10 paragaphs are the child, combining all the different forms of slang and street English that was spoken in Dublin in the early part of the century.

In an extended hallucinatory sequence, Bloom and Stephen go to Bella Cohen's brothel. This episode, the longest in the novel, is written in the form of a play. Molly’s letter from Boylan and his from Martha are reworked into a series of seductive letters ending in a trial. His sexual infidelities beginning with Lotty Clarke and ending with Gerty McDowell are relived and reconciled.

Ulysses novel - The Nostos

Bloom and Stephen go to the cabman's shelter to eat, and encounter a drunken sailor.

Bloom returns home with Stephen, who refuses Bloom's offer of a place to stay for the night. The two men urinate in the backyard, Stephen goes home, and Bloom goes to bed. The episode is written in the form of a rigidly organized catechism, and was reportedly Joyce's favourite episode in the novel.

The final chapter of Ulysses consists of Molly Bloom's Soliloquy: eight enormous sentences (without punctuation) written from the viewpoint of Leopold Bloom's estranged wife, Molly (who represents Penelope). The concluding word of Molly's reverie is "Yes".

Ulysses novel - The two schemata

• The 1920 Linati schema for Ulysses
• The 1921 Gilbert schema for Ulysses

Ulysses novel - Film adaptations

In 1967, a movie version of the book was produced.

More recently, a big-budget version of Ulysses called Bloom was made and released in early 2004. The film stars Stephen Rea as the lead character.

Ulysses novel - Audio adaptions

The unabridged text of Ulysses has been performed by Jim Norton, with Marcella Riordan. This recording was released by Naxos on 22 audio CDs in 2004. It follows an earlier abridged recording with the same actors.

BBC Radio broadcast a dramatisation of Ulysses read by Sinead Cusack, James Greene, Stephen Rea, Norman Rodway and others in 1993. This performance had a running time of 5 hours and 50 minutes.

Ulysses novel - Puzzles

Joyce wrote of Ulysses:

As such, there are a good number of puzzles and open problems present in the book which require careful readings to solve.

• Denis Breen's postcard
  • Why is Denis Breen's postcard libellous?
  • Who sent it?
  • Is its text "U.P.: up" or merely just "U.P."?

• Why did the Blooms' social life decrease so significantly after 1894?

• Gerty MacDowell
  • How old is Gerty?
  • Does Bloom acknowledge her age or is he in denial?
  • Is Bloom's encounter with her just a fantasy?

• What is the seating arrangement in the funeral carriage in "Hades"?

• Who is the man in the mackintosh?

• Some of the dates given or implied in "Ithaca" conflict with those given in "Calypso" and "Penelope". Which are correct in which instances?

Ulysses novel - Influences

Ulysses novel - Sir Arthur Conan Doyle

Samuel Rosenberg, in his book Naked is the Best Disguise, noted similarities between the section in which Bloom tracks Dedalus and a section in Doyle's A Study in Scarlet. Rosenberg also notes other references to Doyle's writings.

Ulysses novel - Legacy

The legacy and impact of Ulysses on modern literature and literary culture is sizeable; one need only note the proliferation of the celebration of Bloomsday on 16 June all over the world, with a notably large celebration in Dublin, Ireland during 2004 to commemorate the centenary of the book's events.

Joyce is often quoted as saying that one could recreate the city of Dublin, piece by piece, from Ulysses. Many scholars have noted that although this rather bold statement may have been true at or around Joyce's time, so much of the city has changed that this claim is no longer viable. Nevertheless, many of the places and landmarks featured in Ulysses may still be found in Dublin, such as the Martello tower where the novel begins (now a Joyce museum) and Davy Byrne's pub. Indeed, perambulating around the city as Bloom and Dedalus did, one can still get a sense of how the city influenced Joyce's novel.

Adapted from the Wikipedia article "Ulysses novel", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki