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Tragedy - Tragedy in film | | Tragedy - Tragedy in film: Encyclopedia II - Tragedy - Tragedy in film | | main article: Tragedy on screen
The general belief in Hollywood that audiences prefer happy endings might seem to preclude the genre of tragedy from film. However, the popularity of several cinematic tragedies indicates that audiences can be receptive to the genre. Recent examples include Titanic, Gladiator, and King Kong, all of which can be seen as tragedies, at least by some definitions.
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See also:Tragedy, Tragedy - Origin of Western tragedy, Tragedy - Theories of tragedy, Tragedy - Greek tragedy, Tragedy - Renaissance and 17th century tragedy, Tragedy - English Renaissance Tragedy, Tragedy - French Tragedy in the 16th and 17th centuries, Tragedy - Modern tragedy, Tragedy - Tragedy in film | | | Tragedy, Tragedy - English Renaissance Tragedy, Tragedy - French Tragedy in the 16th and 17th centuries, Tragedy - Greek tragedy, Tragedy - Modern tragedy, Tragedy - Origin of Western tragedy, Tragedy - Renaissance and 17th century tragedy, Tragedy - Theories of tragedy, Tragedy - Tragedy in film, Tragicomedy, Classicism, Tragic flaw | | |
| | | Tragedy: Encyclopedia II - Tragedy - Tragedy in film
Tragedy - Tragedy in film
main article: Tragedy on screen
The general belief in Hollywood that audiences prefer happy endings might seem to preclude the genre of tragedy from film. However, the popularity of several cinematic tragedies indicates that audiences can be receptive to the genre. Recent examples include Titanic, Gladiator, and King Kong, all of which can be seen as tragedies, at least by some definitions.
Other related archives1580, 1635, 1636, 1879, A Doll's House, Aelius Donatus, Aeschylus, Agamemnon, Alexandre Hardy, American, Antoine de Montchrestien, Antony and Cleopatra, Aristophanes, Aristotle, Arthur Miller, Averroes, Bacchus, Bérénice, Christopher Marlowe, Classicism, Clyde Fitch, Coriolanus, Death of a Salesman, Dionysia, Dionysus, Elizabethan, English language, Eugene O'Neill, Euripides, François Hédelin, abbé d'Aubignac, François le Métel de Boisrobert, French Renaissance literature, French literature of the 17th century, George S. Kaufmann, Gian Giorgio Trissino, Giovanni Battista Giraldi, Gladiator, Greek, Greek god, Greek literature, Hamlet, Hedda Gabler, Henrik Ibsen, Hollywood, Horace, Jean Mairet, Jean Racine, Jean Rotrou, John Webster, Julius Caesar, King Kong, King Lear, Latin, Lodovico Castelvetro, Lope de Vega, Macbeth, Nietzsche, Norwegian, Oedipus Rex, Oresteia, Othello, Pedro Calderón de la Barca, Phaedra, Phèdre, Pierre Corneille, Plautus, Plutarch, Robert Garnier, Roman theater, Romans, Romeo and Juliet, Scaliger, Scarface, Seneca, Socrates, Sophocles, Sperone Speroni, Suetonius, Tamburlaine, Tennessee Williams, Terence, The Birth of Tragedy, The Crucible, The Duchess of Malfi, Théophile de Viau, Timon of Athens, Tirso de Molina, Titanic, Titus Andronicus, Tragedy (band), Tragedy of Dr. Faustus, Tragedy on screen, Tragic flaw, Tragicomedy, Tristan L'Hermite, Western, William Shakespeare, ancient Greece, catharsis, closet drama, deus ex machina, dithyrambs, drama, exemplum, farces, fate, hubris, in medias res, mechane, miracle plays, morality plays, mystery plays, pathos, playwright, postmodern theater, satyr play, satyrs, three unities
 Adapted from the Wikipedia article "Tragedy in film", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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