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Statius - Silvae
The subjects of the Silvae vary widely. Five poems are devoted to flattery of the emperor and his favourites; but of these enough has already been said. Six are lamentations for deaths, or consolations to survivors. Statius seems to have felt a special pride in this class of his productions; and certainly, notwithstanding the excessive and conventional employment of pretty mythological pictures, with other affectations, he sounds notes of pathos such as only come from the true poet.
There are often traits of an almost modern domesticity in these verses, and Statius, the childless, has here and there touched on the charm of childhood in lines for a parallel to which, among the ancients, we must go, strange to say, to his rival Martial. One of the epicedia, that on Priscilla the wife of Abascantus, Domitian's freedman, is full of interest for the picture it presents of the official activity of a high officer of state.
Another group of the Silvae give picturesque descriptions of the villas and gardens of the poet's friends. In these we have a more vivid representation than elsewhere of the surroundings amid which the grandees of the early empire lived when they took up their abode in the country.
As to the rest of the Silvae, the congratulatory addresses to friends are graceful but commonplace, nor do the jocose pieces call for special mention.
In the Kalendae decembres we have a striking description of the gifts and amusements provided by the emperor for the Roman population on the occasion of the Saturnalia. In his attempt at an epithalamium (Silv. i.2) Statius is forced and unhappy.
His birthday ode in Lucan's honour has, along with the accustomed exaggeration, many powerful lines, and shows, high appreciation of preceding Latin poets. Some phrases, such as "the untaught muse of high-souled Ennius" and "the lofty passion of sage Lucretius," are familiar words with all scholars. The ode ends with a great picture of Lucan's spirit rising after death on wings of fame to regions whither only powerful souls can ascend, scornfully surveying earth and smiling at the tomb, or reclining in Elysium and singing a noble strain to the Pompeys and the Catos and all the "Pharsalian host," or with proud tread exploring Tartarus and listening to the wailings of the guilty, and gazing at Nero, pale with agony as his mother's avenging torch glitters before his eyes. It is singular to observe how thoroughly Nero had been struck out of the imperial succession as recognized at court, so that the "bald Nero" took no umbrage when his flatterer-in‑chief profanely dealt with his predecessor's name.
Other related archives45, 69, 94, 96, Alba, Alcides, Alcinous, Bacchus, Campanian, Capitoline, Catos, Cicero, Dante Alighieri, Dido, Domitian, Ennius, Gaius Valerius Flaccus, Ganymede, Graeco, Heraclitus, Homeric, Horace, Italy, Jove, Juvenal, Lucan, Lucretius, Mars, Martial, Mevania, Naples, Nero, Pompeys, Purgatory, Quintilian, Rome, Sapphic, Saturnalia, Silius Italicus, Silver Age of Latin literature, Tartarus, The Divine Comedy, Theban brothers, Thebes, Vespasian, Virgilian, Vitellius, epithalamium, hexameters, improvisation, metaphors, pathos, poet, rodomontade
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