Santa Claus: Encyclopedia II - Santa Claus - Origins

Santa Claus - Origins

The modern Santa Claus is thought to be a composite character made up from the merging of quite separate figures.

Santa Claus - Ancient Christian origins

The first of these is Saint Nicholas of Myra, a 4th century AD Christian bishop of Myra in Lycia, a province of Byzantine Anatolia, now in Turkey. Nicholas was famous for his generous gifts to the poor, in particular presenting the three impoverished daughters of a pious Christian with dowries so that they would not have to become prostitutes. He was born at Patara, province of Lycia, Asia Minor. He was very religious from an early age and devoted his life entirely to Christianity. In Europe (more precisely the Netherlands, Belgium, Austria and Germany) he is still portrayed as a bearded bishop in canonical robes. The relics of St. Nicholas were transported to Bari in southern Italy by some enterprising Italian merchants; a basilica was constructed in 1087 to house them and the area became a pilgrimage site for the devout. Saint Nicholas became revered by many as the patron saint of seamen, merchants, archers, children, prostitutes, pharmacists, lawyers, pawnbrokers, prisoners, the city of Amsterdam and of Russia. In Greece, Saint Nicholas is sometimes substituted for Saint Basil (Vasilis in Greek), a 4th century AD bishop from Caesarea. Also, a few villages in West Flanders, Belgium, celebrate a near identical figure, Sint-Maarten (Saint Martin of Tours).[1]

Santa Claus - Germanic folklore

Prior to the Germanic peoples' conversion to Christianity, Germanic folklore contained stories about the god Odin (Wodan), who would each year, at Yule, have a great hunting party accompanied by his fellow gods and the fallen warriors residing in his realm. Children would place their boots, filled with carrots, straw or sugar, near the chimney for Odin's flying horse, Sleipnir, to eat. Odin would then reward those children for their kindness by replacing Sleipnir's food with gifts or candy [Siefker, chap. 9, esp. 171-173]. This practice survived in Germany, Belgium and the Netherlands after the adoption of Christianity and became associated with Saint Nicholas. Children still place their straw filled shoes at the chimney every winter night, and Saint Nicholas (who, unlike Santa, is still riding a horse) rewards them with candy and gifts. Odin's appearance was often similar to that of Saint Nicholas, being depicted as an old, mysterious man with a beard. (Other features, like the absence of one eye, are not found in Saint Nicholas.) This practice in turn came to America via the Dutch colony of New Amsterdam prior to the British seizure in the 17th century, and evolved into the hanging of socks or stockings at the fireplace.

Another early folk tale, originating among the Germanic tribes, tells of a holy man (sometimes Saint Nicholas), and a demon (sometimes the Devil, Krampus, or a troll). The story states that the land was terrorized by a monster who at night would slither down the chimneys and slaughter children (disembowelling them or stuffing them up the flue, or keeping them in a sack to eat later). The holy man sought out the demon, and tricked it with blessed or magical shackles (in some versions the same shackles that imprisoned Christ prior to the crucifixion, in other versions the shackles were those used to hold St. Peter or Paul of Tarsus); the demon was trapped and forced to obey the saint's orders. The saint ordered him to go to each house and make amends, by delivering gifts to the children. Depending on the version, the saint either made the demon fulfil this task every year, or the demon was so disgusted by the act of good will that it chose to be sent back to Hell.

Yet other versions have the demon reform under the saint's orders, and go on to recruit other elves and imps into helping him, thus becoming Santa Claus. In an alternate Dutch version, the saint is aided by Moorish slaves, commonly typified as Zwarte Piet ("Black Peter"). Some tales depict Zwarte Piet beating bad children with a rod or even taking them to Spain (formerly ruled by the Moors) in a sack.

Another form of the above tale in Germany is of the Pelznickel or Belsnickle ("Furry Nicholas") who visited naughty children in their sleep. The name originated from the fact that the person appeared to be a huge beast since he was covered from head to toe in furs.

Santa Claus - Modern origins

Pre-modern representations of the gift-giver from church history and folklore merged with the British character Father Christmas to create the character known to Britons and Americans as Santa Claus. Father Christmas dates back at least as far as the 17th century in Britain, and pictures of him survive from that era, portraying him as a well-nourished bearded man dressed in a long, green, fur-lined robe. He typified the spirit of good cheer at Christmas, and was reflected in the "Ghost of Christmas Present" in Charles Dickens's A Christmas Carol.

The name Santa Claus is derived from Sinterklaas, the Dutch name for the mythical character based on St. Nicholas. He is also known there by the name of Sint Nicolaas which explains the use of the two fairly dissimilar names Santa Claus and Saint Nicholas or St. Nick.

Sinterklaas wears clothing similar to a bishop's. He wears a red miter (a liturgical headdress worn by bishops and abbots) with a 'golden' cross and carries a bishop's staff. The connection with the original bishop of Myra is still evident here. He rides a white horse over rooftops and his helpers climb down chimneys to deposit gifts (sometimes in children's shoes by the fireplace). Sinterklaas arrives from Spain on a steamboat and is accompanied by 'Zwarte Piet'.

Presents given during this feast are often accompanied by poems, sometimes fairly basic, sometimes quite elaborate pieces of art that mock events in the past year relating to the recipient (who is thus at the receiving end in more than one sense). The gifts themselves may be just an excuse for the wrapping, which can also be quite elaborate. The more serious gifts may be reserved for the next morning. Since the giving of presents is Sinterklaas's job presents are traditionally not given at Christmas in the Netherlands, but commercialism is starting to tap into this market.

In other countries, the figure of Saint Nicholas was also blended with local folklore. As an example of the still surviving pagan imagery, in Nordic countries there was the Yule Goat (Swedish julbock, Norwegian "julebukk", Finnish joulupukki), a somewhat startling figure with horns which delivered the presents on Christmas Eve. A straw goat is still a common Christmas decoration in Sweden, Norway and Finland. In the 1840's, the farm gnome in Nordic folklore started to deliver the Christmas presents in Denmark, but was then called the "Julenisse", dressed in gray clothes and a red hat. By the end of the 19th century this tradition had also spread to Norway and Sweden (where the "nisse" is called Tomte), replacing the Yule Goat. The same thing happened in Finland, but there the more human figure retained the Yule Goat name.

Santa Claus - American origins

In the British colonies of North America and later the United States, British and Dutch versions of the gift-giver merged further. For example, in Washington Irving's History of New York, Sinterklaas was Americanized into "Santa Claus" but lost his bishop's apparel, and was at first pictured as a thick-bellied Dutch sailor with a pipe in a green winter coat. Irving's book was a lampoon of the Dutch culture of New York, and much of this portrait is his joking invention.

Modern ideas of Santa Claus seemingly became canon after the publication of the poem "A Visit From St. Nicholas" (better known today as "The Night Before Christmas") in the Troy, New York, Sentinel on December 23, 1823. The poem is ascribed to Clement Clarke Moore, although there is some question as to his authorship. In this poem Santa is established as a heavyset individual with eight reindeer (who are named for the first time). Santa Claus later appeared in various colored costumes as he gradually became amalgamated with the figure of Father Christmas, but red soon became popular after he appeared wearing such on an 1885 Christmas card. Still, one of the first artists to capture Santa Claus' image as we know him today was Thomas Nast, an American cartoonist of the 19th century. In 1863, a picture of Santa illustrated by Nast appeared in Harper's Weekly (it is believed the inspiration for his image came from the Pelznickle). Another popularization came in 1902 in The Life and Adventures of Santa Claus by L. Frank Baum, author of The Wonderful Wizard of Oz.

Images of Santa Claus were further cemented through Haddon Sundblom's depiction of him for The Coca-Cola Company's Christmas advertising. The popularity of the image spawned urban legends that Santa Claus was in fact invented by Coca-Cola. Nevertheless, Santa Claus and Coca-Cola have been closely associated.

[2]

The image of Santa Claus as a benevolent character became reinforced with its association with charity and philanthropy, particularly organizations such as the Salvation Army. Volunteers dressed as Santa Claus typically became part of fundraising drives to aid needy families at Christmas time.

Some suspect that the depiction of Santa at the North Pole reflected popular opinion about industry at the time. In some images of the early 20th century, Santa was depicted as personally making his toys by hand in a small workshop like a craftsman.

Eventually, the idea emerged that he had numerous elves responsible for making the toys, but the toys were still handmade by each individual elf working in the traditional manner. By the end of the century, the reality of mass mechanized production became more fully accepted by the Western public. That shift was reflected in the modern depiction of Santa's residence—now often humorously portrayed as a fully mechanized production facility, equipped with the latest manufacturing technology, and overseen by the elves with Santa and Mrs. Claus as managers [see Nissenbaum, chap. 2; Belk, 87-100]. Many television commercials depict this as a sort of humorous business, with Santa's elves acting as a sometimes mischievously disgruntled workforce, cracking jokes and pulling pranks on their boss. Santa Claus continues to inspire writers and artists, such as in author Seabury Quinn's 1948 novel Roads. Other additions to early ideas of Santa include Rudolph the Red-Nosed Reindeer, the ninth and lead reindeer immortalized in a Gene Autry song, written by a Montgomery Ward copywriter.

Santa Claus - Other possible origins

American mycologist Jonathan Ott suggests that many of the modern features attributed to Santa Claus may somehow be derived from those of the Kamchatkan or Siberian shaman. Apparently, during the midwinter festival (holiday season) in Siberia (near the North Pole), the shaman would enter a yurt (home) through the shangrak (chimney), bringing with him a sack of fly agaric mushrooms (presents) to give to the inhabitants. This type of mushroom is brightly colored red and white, like Santa Claus, though the relevance of this is questionable. The mushrooms were often hung (to dry) in front of the fireplace, much like the stockings of modern-day Christmas. Furthermore, the mushrooms were associated with reindeer who were known to eat them and become intoxicated. Reindeer are also associated with the shaman, and like Santa Claus, many people believed that the shaman could fly.[3]

Adapted from the Wikipedia article "Origins", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki