 | Norse mythology: Encyclopedia II - Norse mythology - Cosmology
Norse mythology - Cosmology
Main article: Norse cosmology
In Norse mythology, the earth is represented as a flat disc. This disk is situated in the branches of the world tree, or Yggdrasil. Asgard, where the gods lived, was located at the centre of the disc, and could only be reached by walking across the rainbow (the Bifröst bridge). The Giants lived in an abode called Jötunheimr (giant realm).
A cold, dark underground abode called Niflheim was ruled by Hel, daughter of Loki. According to the Prose Edda this was the eventual dwelling-place of most of the dead. Located somewhere in the south was the fiery realm of Muspell, home of the fire giants.
Further otherworldly realms include Álfheim, home of the light-elves (ljósálfar), Svartálfaheim, home of the dark-elves. In between Asgard and Niflheim was Midgard, the world of men (see also Middle Earth).
The cosmology of Norse mythology also involves a strong element of duality: for example the night and the day have their own mythological counterparts Dagr/Skinfaxi and Nótt/Hrímfaxi, the sun and the chasing wolf Sol and Skoll, the moon and its chasing wolf Mani and Hati, and the total opposites of Niflheim and Muspell is the origin of the world. This might have reflected a deeper metaphysical belief in opposites as the foundation of the world.
Norse mythology - Supernatural beings
There are three "clans" of deities, the Æsir, the Vanir, and the Iotnar (referred to as giants in this article). The distinction between Æsir and Vanir is relative, for the two are said to have made peace, exchanged hostages, intermarried and reigned together after a prolonged war, which the Æsir had finally won. Some gods belong in both camps. Some scholars have speculated that this tale symbolized the way the gods of invading Indo-European tribes supplanted older nature-deities of the aboriginal peoples, although it should be firmly noted that this is conjecture. Other authorities (compare Mircea Eliade and J.P. Mallory) consider the Æsir/Vanir division to be simply the Norse expression of a general Indo-European division of divinities, parallel to that of Olympians and Titans in Greek mythology, and in parts of the Mahabharata.
The Æsir and the Vanir are generally enemies with the Iotnar (singular Iotunn or Jotuns; Old English Eotenas or Entas). They are comparable to the Titans and Gigantes of Greek mythology and generally translated as "giants", although "trolls" and "demons" have been suggested as suitable alternatives. However, the Æsir are descendants of Iotnar and both Æsir and Vanir intermarry with them. Some of the giants are mentioned by name in the Eddas, and they seem to be representations of natural forces. There are two general types of giant: frost-giants and fire-giants. There were also elves and dwarfs, whose role is shadowy but who are generally thought to side with the gods.
In addition, there are many other supernatural beings: Fenrir the gigantic wolf, and Jörmungandr the sea-serpent (or "worm") that is coiled around the world. These two monsters are described as the progeny of Loki, the trickster-god, and a giant. More benevolent creatures are Hugin and Munin (thought and memory), the two ravens who keep Odin, the chief god, apprised of what is happening on earth, and Ratatosk, the squirrel which scampers in the branches of the world ash, Yggdrasil, which is central to the conception of this world.
Along with many other polytheistic religions, this mythology lacks the good-evil dualism of the Middle Eastern tradition. Thus, Loki is not primarily an adversary of the gods, though he is often portrayed in the stories as the nemesis to the protagonist Thor, and the giants are not so much fundamentally evil, as rude, boisterous, and uncivilized. The dualism that exists is not evil vs good, but order vs chaos. The gods represent order and structure whereas the giants and the monsters represent chaos and disorder.
Norse mythology - Völuspá: the origin and end of the world
The origin and eventual fate of the world are described in Völuspá ("The völva's prophecy" or "The sybil's prophecy"), one of the most striking poems in the Poetic Edda. These haunting verses contain one of the most vivid creation accounts in all of religious history and a representation of the eventual destruction of the world that is unique in its attention to detail.
In the Völuspá, Odin, the chief god of the Norse pantheon, has conjured up the spirit of a dead Völva (Shaman or sybil) and commanded this spirit to reveal the past and the future. She is reluctant: "What do you ask of me? Why tempt me?"; but since she is already dead, she shows no fear of Odin, and continually taunts him: "Well, would you know more?" But Odin insists: if he is to fulfil his function as king of the gods, he must possess all knowledge. Once the sybil has revealed the secrets of past and future, she falls back into oblivion: "I sink now".
In the beginning there was the world of ice Niflheim, and the world of fire Muspelheim, and between them was the Ginnungagap, a "grinning (or yawning) gap," in which nothing lived. In Ginnungagap, the fire and the ice met, and the fire of Muspelheim licked the ice shaping a primordial giant Ymir and a giant cow, Auðumbla whose milk fed Ymir. The cow licked the ice, creating the first god, Búri, who was the father of Borr, in turn the father of the first Æsir, Odin, and his brothers Vili and Ve. Ymir was a hermaphrodite and alone procreated the race of giants. Then Borr's sons; Odin, Vili, and Ve; slaughtered Ymir and, from his body, created the world.
The gods regulated the passage of the days and nights, as well as the seasons. The first human beings were Ask (ash) and Embla (elm), who were carved from wood and brought to life by the gods Odin, Hœnir/Vili, and Lóðurr/Vé. Sol is the goddess of the sun, a daughter of Mundilfari, and wife of Glen. Every day, she rides through the sky on her chariot, pulled by two horses named Alsvid and Arvak. This passage is known as Alfrodull, meaning "glory of elves," which in turn was a common kenning for the sun. Sol is chased during the day by Skoll, a wolf that wants to devour her. Solar eclipses signify that Skoll has almost caught up to her. It is fated that Skoll will eventually catch Sol and eat her; however, she will be replaced by her daughter. Sol's brother, the moon, Mani, is chased by Hati, another wolf. The earth is protected from the full heat of the sun by Svalin, who stands between the earth and Sol. In Norse belief, the sun did not give light, which instead emanated from the manes of Alsvid and Arvak.
The sybil describes the great ash tree Yggdrasil and the three norns (female symbols of inexorable fate; their names; Urðr (Urd), Verðandi (Verdandi), and Skuld; indicate the past, present, and future), who spin the threads of fate beneath it. She describes the primeval war between Æsir and Vanir and the murder of Baldr. Then she turns her attention to the future.
Main article: Ragnarök
The Old Norse vision of the future is remarkably bleak. In the end, it was believed, the forces of evil and chaos will outnumber and overcome the divine and human guardians of good and order. Loki and his monstrous children will burst their bonds; the dead will sail from Niflheim to attack the living. Heimdall, the watchman of the gods, will summon the heavenly host with a blast on his horn. Then will ensue a final battle between good and evil (Ragnarök), which the gods will lose, as is their fate. The gods, aware of this, will gather the finest warriors, the Einherjar, to fight on their side when the day comes, but in the end they will be powerless to prevent the world from descending into the chaos out of which it has once emerged; the gods and their world will be destroyed. Odin himself will be swallowed by Fenrir the wolf.
Still, there will be a few survivors, both human and divine, who will populate a new world, to start the cycle anew. Or so the sybil tells us; scholars are divided on the question whether this is a later addition to the myth that betrays Christian influence. If pre-Christian, the eschatology of the Völuspá may reflect an older Indo-European tradition related with the eschatology of Persian Zoroastrianism.
Other related archives11th century, 13th century, 14th, 17th century, 18th century, 1973, 19th century, 20th century, Adam of Bremen, Adam von Bremen, Alfrodull, Alliterative verse, Alsvid, Anglo-Saxon, Anglo-Saxon mythology, Arvak, Asgard, Ask, Aun, Auðumbla, Baldr, Balts, Beowulf, Bifröst, Blót, Borr, Bryggen inscriptions, Bödvar Bjarki, Búri, Celts, Christian, Christianisation, Christianized, Christmas ham, Dagr, Danish, Davidson, H. R. Ellis, Deor, Der Ring des Nibelungen, Domalde, Eddas, Egil, Einherjar, Embla, England, Entas, Euhemerized, Europe, Forn Sed, Freya, Freyr, Germanic Neopaganism, Germanic kingship, Germanic mythology, Germanic paganism, Germanic tribes, Gesta Danorum, Gigantes, Ginnungagap, Glen, Gosforth cross, Greek mythology, Hagbard, Hagbard and Signy, Harald Hildetand, Hati, Heathenry, Heimdall, Heimskringla, Hel, Hrímfaxi, Hugin and Munin, Hœnir, Ibn Fadlan, Iceland, Indo-European, Indo-European mythology, Iotnar, Ivar Vidfamne, J.P. Mallory, Jotuns, Jutland, Jörmungandr, Jötunheimr, Kvinneby amulet, Latin, Lejre, Loki, Lóðurr, Mahabharata, Mani, Middle Earth, Middle Eastern, Midgard, Mircea Eliade, Mundilfari, Muspell, Nibelungenlied, Niflheim, Norse cosmology, Norse mythological influences on later literature, Norse mythology, Norse paganism, Numbers in Norse mythology, Nótt, Odin, Odinism, Olaus Magnus, Old Norse orthography, Olof Trätälja, Olympians, Poetic Edda, Prose Edda, Prose or Younger Edda, Ragnar Lodbrok, Ragnarök, Ratatosk, Richard Wagner, Rus, Rydberg, Viktor, Rök Runestone, Saint Olaf, Saxo Grammaticus, Scandinavian, Scandinavian folklore, Shaman, Siegfried, Sigurd, Sigurd Ring, Sigurd the Volsung, Skinfaxi, Skiringsal, Skoll, Skuld, Skögul, Sleipnir, Snorri Sturluson, Sol, Solar eclipses, Starkad, Svalin, Tacitus, Temple at Uppsala, The Poetic Edda, The Prose Edda, Thor, Titans, Tollund Man, United States, Uppsala, Urd, Valkyrie, Vanir, Ve, Verdandi, Viking Age, Vili, Völsunga saga, Völund, Völuspá, Völvas, Weyland, Yggdrasil, Ymir, Ynglingasaga, Yule, Zoroastrianism, ash, dark-elves, demons, diplomat, druidical, dualism, duality, dwarfs, elm, elves, galdra, godi, hell, horgr, human sacrifice, image stones, influences in popular culture, kenning, kennings, legends, literature, metaphysical, national epic, norns, norse clans, orally transmitted, peatbogs, poet, poets, polytheistic, prose, protagonist, religion, revealed religion, rune stones, runestones, sabbath, sacred groves, sagas, scripture, shamanistic, shieldmaidens, ship burial, sybil, thurs, trolls, völva, wolf, Álfheim, Ásatrú, Æsir, Þrymskviða
 Adapted from the Wikipedia article "Cosmology", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |