Music of California: Encyclopedia II - Music of California - Early foreign influences

Music of California - Early foreign influences

The earliest Spanish and English explorers in California encountered Native Americans and established missions to convert them to Christianity. Chanted prayers and hymns were often used, and choirs were eventually formed; many missions formed Native American choirs among recent converts.

As California's European, Asian and African population increased in the 19th century, the state became the earliest West Coast territory admitted to the United States. As on the East Coast, music at the time was dominated by popular minstrel shows and the sale of sheet music. Performers included the Sacramento-born Hyers Sisters and Black Patti. The state's large Mexican population brought traditional folk guitar to California, including virtuoso Luis T. Romero. Chinese immigrants came to California to work on the transcontinental railroad and soon became a large minority in the state; the San Francisco Chinese Opera House was built in 1880, though two years later saw the passage of the Chinese Exclusion Act in order to prevent more immigration. The visit of King Kalakaua of Hawaii in 1874 saw the Hawaiian national anthem, "Hawaii Ponoi" (written by the king) set to music by Henry Berger. In the 1880s, Carlos Troyer became a prominent composer, incorporating Spanish and Zuni influences. Polish composer Chevalier Anton de Kontski's Polish Patrol and Awakening the Lion were also quite popular.

Music of California - Spanish music in California

The Spanish missions in California has brought European music to the area. From the late 18th century to the late 19th century, many visitors to California remarked on the uniqueness of the Spanish language music in Caifornia. This music was distinctively Californian, different from both Mexican and Spanish music of the time (though many elements are found throughout these traditions).

With the arrival of many Americans from the East Coast, as well as immigrants from as far away as China, however, Spanish folk music began to dwindle in popularity in California. Charles Lummis, himself an immigrant to California, recorded many kinds of Spanish and Native American folk music for the Southwest Society of the Archaeological Institute of America.

Later in the 20th century, other revivalists like Gabriel Eulogius Ruiz and Al Pill helped keep Spanish-California traditions alive.

Adapted from the Wikipedia article "Early foreign influences", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki