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Maya mythology - Overview

Maya mythology - Overview: Encyclopedia II - Maya mythology - Overview

The Maya believed there were five different cardinal directions four of which were associated with colors: north/white, south/yellow, east/red, west/black, and center which was associated with the tree of life, symbolised by a great ceiba tree that was the center of the cosmos. Mayan gods had different aspects based on these five directions as well as the different natural cycles that the Maya observed. The gods also had dualistic natures associating them with day or night, life or death. There were thirteen gods of the thirteen heavens of t ...

See also:

Maya mythology, Maya mythology - Overview, Maya mythology - The Creation Myth, Maya mythology - Notable Gods, Maya mythology - Bacabs, Maya mythology - The First Humans, Maya mythology - The Men, Maya mythology - Their Wives, Maya mythology - Gods and Supernatural Beings, Maya mythology - Locations, Maya mythology - Reference

Maya mythology, Maya mythology - Bacabs, Maya mythology - Gods and Supernatural Beings, Maya mythology - Locations, Maya mythology - Notable Gods, Maya mythology - Overview, Maya mythology - Reference, Maya mythology - The Creation Myth, Maya mythology - The First Humans, Maya mythology - The Men, Maya mythology - Their Wives, Roys, Ralph L. "Ritual of the Bacabs: A Book of Maya Encantations." University of Oklahoma Press, Norman, Oklahoma, 1965., Thompson, J. Eric S. "Maya History and Religion." University of Oklahoma Press, Norman, Oklahoma, 1970., Martin, Simon, and Mary Miller. Courtly Art of the Ancient Maya. New York: Thames & Hudson, 2004., Demarest, Arthur. Ancient Maya: The Rise and Fall of the Rainforest Civilization. Cambridge: Cambridge University Press, 2004.

Maya mythology: Encyclopedia II - Maya mythology - Overview



Maya mythology - Overview

The Maya believed there were five different cardinal directions four of which were associated with colors: north/white, south/yellow, east/red, west/black, and center which was associated with the tree of life, symbolised by a great ceiba tree that was the center of the cosmos. Mayan gods had different aspects based on these five directions as well as the different natural cycles that the Maya observed. The gods also had dualistic natures associating them with day or night, life or death. There were thirteen gods of the thirteen heavens of the Maya religion and nine gods of the nine underworlds. Between the upperworlds of the heavens and the underworlds of the night and death was the earthly plane which is often shown in Mayan art as a two-headed caiman or a turtle lying in a great lake. Natural elements, stars and planets, numbers, crops, days of the calendar and periods of time all had their own gods. The gods' characters, malevolence or benevolence, and associations changed according to the days in the Maya calendar or the positions of the sun, moon, Venus, and the stars.

The Quiché Maya creation story is outlined in the Popol Vuh. This has the world created from nothing by the will of the Maya pantheon of gods. Man was made unsuccessfully out of mud and then wood before being made out of maize and being assigned tasks which praised the gods — silversmith, gem cutter, stone carver, potter, etc. Some argue this story adds credence to the belief that the Maya did not believe in art per se; all of their works were for the exaultation of the gods.

After the creation story, the Popol Vuh tells of the struggles of the legendary hero twins, Hunahpu and Ixbalanque, in defeating the lords of Xibalba, the underworld. The twins descend into the underworld, perish, and are eventually miraculously reborn. This myth provides a metaphor for the agricultural cycle and the annual rebirth of the crops. These two stories are focal points of Maya mythology and often found depicted in Maya art.

Other related archives

16th, 17th century, 1st millennium BC, Ah Puch, Bishop Diego de Landa, Camazotz, Chaac, Christianity, Cozumel, Diego de Landa, Europeans, Guatemala, Gucumatz, Gulf coast, Gumarcaj, Hunahpu, Huracan, Itzamna, Ixbalanque, Ixchel, Ixtab, Izamal, Maya Hero Twins, Maya civilization, Maya codices, Maya mythology, Maya peoples, Mayan Sacred Tree, Mesoamerican, Mexican, Popol Vuh, Post-Classic phase, Pre-Hispanic Mesoamerica, Quetzalcoatl, Quiché, Roman Catholicism, Spanish, Spanish conquest, Thompson, J. Eric S., Venus, Vision Serpent, Xibalba, Yucatán peninsula, Zipacna, cacao, caiman, cardinal directions, ceiba, chthonic, civilizations, cosmos, deities, early 10th century, epigraphic, hells, hero twins, human existence, maize, masa, millennia, polytheistic, pre-Columbian, religious, the world, tree of life, turtle, underworld



Adapted from the Wikipedia article "Overview", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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