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Math rock - Characteristics |  | Math rock - Characteristics: Encyclopedia II - Math rock - Characteristics |  | Whereas most rock music uses a basic 4/4 beat (however accented or syncopated), math rock frequently uses compound meters such as 7/8, 11/8, or 13/8, or features constantly changing meters based on various groupings of 2 and 3. This rhythmic complexity, seen as "mathematical" in character by many listeners and critics, is what gives the genre its name. Musically, math rock derives from other rock genres, including rock, heavy metal, progressive rock or punk rock. Math rock often sounds familiar but somehow "off". It fits into ...
See also:Math rock, Math rock - Characteristics, Math rock - Development, Math rock - Midwestern groups, Math rock - Pittsburgh groups, Math rock - San Diego groups, Math rock - Japanese groups, Math rock - Washington D.C. groups, Math rock - The Louisville sound, Math rock - Contemporary math rock, Math rock - Math rock artists and groups |  | | Math rock, Math rock - Characteristics, Math rock - Contemporary math rock, Math rock - Development, Math rock - Japanese groups, Math rock - Math rock artists and groups, Math rock - Midwestern groups, Math rock - Pittsburgh groups, Math rock - San Diego groups, Math rock - The Louisville sound, Math rock - Washington D.C. groups, Mathcore, Post-rock, Tech metal (also known as Math metal), List of works in irregular time signatures |  | |
|  |  | Math rock: Encyclopedia II - Math rock - Characteristics
Math rock - Characteristics
Whereas most rock music uses a basic 4/4 beat (however accented or syncopated), math rock frequently uses compound meters such as 7/8, 11/8, or 13/8, or features constantly changing meters based on various groupings of 2 and 3. This rhythmic complexity, seen as "mathematical" in character by many listeners and critics, is what gives the genre its name. Musically, math rock derives from other rock genres, including rock, heavy metal, progressive rock or punk rock. Math rock often sounds familiar but somehow "off". It fits into those genres but is never a classic example.
Musicians who purposely turn to mathematics to find new creativity in their music are also classified math rockers. They manipulate, twist and syncopate to confuse, to delay, to create something that is a twist on rock, punk, or pop, something familiar but "wrong," something new. Some math rock artists and fans refer condescendingly to rock bands who do not use complex meters as merely "4/4 bands."
Lyrics are generally not the focus of math rock; the voice is treated as just another sound in the mix. Often, lyrics are not overdubbed, and are positioned low in the mix, as in the recording style of Steve Albini. Several math rock groups have been entirely instrumental.
Other related archives1980s, 1990, 1994, American Don, Antioch Arrow, Autoclave, Battles, Big Black, Breadwinner, Captain Beefheart, Chicago, Circus Lupus, Cleveland, Colossamite, Crain, Craw, Dazzling Killmen, DeKalb, Don Caballero, Drive Like Jehu, Frodus, Genesis, Gentle Giant, Heavy Vegetable, Igor Stravinsky, Illinois, Japan, Jawbox, Jesus Lizard-esque, John Cage, John Reis, John Zorn, June of 44, Keelhaul, King Crimson, List of Math rock groups, List of works in irregular time signatures, Lynx, Mathcore, Midwestern, Minneapolis, Naked City, No Means No, Pink Floyd, Pittsburgh, Polvo, Post-rock, Q and Not U, Rapeman, Rob Crow, Rocket from the Crypt, Rodan, Ruins, Rush, Rust Belt, San Diego, Shellac, Skin Graft, Slint, Spiderland, St. Louis, Steve Albini, Steve Reich, Tech metal, The For Carnation, Touch and Go Records, U.S. Maple, Washington, D.C., Yona-Kit, Zeni Geva, angular, dissonant, dynamics, heavy metal, instrumental, jazz, mathematical, mathematics, overdubbed, post-rock, progressive rock, punk rock, rhythmic, riffs, rock, rock music, syncopate
 Adapted from the Wikipedia article "Characteristics", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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