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Mannerism - Some mannerist examples |  | Mannerism - Some mannerist examples: Encyclopedia II - Mannerism - Some mannerist examples |  | Jacopo da Pontormo's Joseph in Egypt stood in what would have been considered contradicting colors and disunified time and space in the Renaissance. Neither the clothing, nor the buildings— not even the colors— accurately represented the Bible story of Joseph. It was wrong, but it stood out as an accurate representation of society's feelings.
Rosso Fiorentino, who had been a fellow-pupil of Pontormo in the studio of Andrea del Sarto, brought the Florentine maniera to Fontainebleau in 1530, where he became one of the founder ...
See also:Mannerism, Mannerism - Some mannerist examples, Mannerism - Mannerist architecture |  | | Mannerism, Mannerism - Mannerist architecture, Mannerism - Some mannerist examples |  | |
|  |  | Mannerism: Encyclopedia II - Mannerism - Some mannerist examples
Mannerism - Some mannerist examples
Jacopo da Pontormo's Joseph in Egypt stood in what would have been considered contradicting colors and disunified time and space in the Renaissance. Neither the clothing, nor the buildings— not even the colors— accurately represented the Bible story of Joseph. It was wrong, but it stood out as an accurate representation of society's feelings.
Rosso Fiorentino, who had been a fellow-pupil of Pontormo in the studio of Andrea del Sarto, brought the Florentine maniera to Fontainebleau in 1530, where he became one of the founders of the French 16th century Mannerism called the "School of Fontainebleau". The examples of a rich and hectic decorative style at Fontainebleau transferred the Italian style, through the medium of engravings, to Antwerp and thence throughout Northern Europe, from London to Poland, and brought Mannerist design into luxury goods like silver and carved furniture. A sense of tense controlled emotion expressed in elaborate symbolism and allegory, and elongated proportions of female beauty are characteristics of his style.
Agnolo Bronzino's somewhat icy portraits put an uncommunicative abyss between sitter and viewer, concentrating on rendering of the precise pattern and sheen of rich textiles.
Jacopo Tintoretto's Last Supper epitomized Mannerism by taking Jesus and the table out of the middle of the room. He showed all that was happening. In sickly, disorienting colors he painted a scene of confusion that somehow separated the angels from the real world. He had removed the world from God's reach.
El Greco attempted to express the religious tension with exaggerated Mannerism. This exaggeration would serve to cross over the Mannerist line and be applied to Classicism.
Benvenuto Cellini created a salt cellar of gold and ebony in 1540 featuring Neptune and Amphitrite (earth and water) in elongated form and uncomfortable positions. It is considered a masterpiece of Mannerist sculpture.
List of Mannerist Painters:
- Giuseppe Arcimboldo
- Bronzino
- Cellini
- El Greco
- Michelangelo (Last Judgment, Sistine Chapel; Rondanini Pieta)
- Pontormo
- Parmigianino
- Giulio Romano
- Rosso
- Santi Gucci
- Tintoretto
- Hans von Aachen
Other related archives1527, 1530, Agnolo Bronzino, Andrea del Sarto, Antwerp, Benvenuto Cellini, Bible, Bronzino, Cellini, Classicism, El Greco, Fontainebleau, Gian Paolo Lomazzo, Giorgio Vasari, Giulio Romano, Giuseppe Arcimboldo, God, Hans von Aachen, Heinrich Wölfflin, High Renaissance, Jacobean, Jacopo Tintoretto, Jacopo da Pontormo, Jesus, Joseph, Medici, Michelangelo, Parmigianino, Pontormo, Raphael, Renaissance Classicism, Renaissance styles, Rome, Rosso, Rosso Fiorentino, Sack of Rome, Santi Gucci, School of Fontainebleau, Tintoretto, Titian, Villa Farnese, allegory, angels, art historians, cartouche, decorum, engravings, modernism
 Adapted from the Wikipedia article "Some mannerist examples", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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