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Krzysztof Kieślowski - Foreign productions

Krzysztof Kieślowski - Foreign productions: Encyclopedia II - Krzysztof Kieślowski - Foreign productions

Kieślowski's last four films were foreign co-productions, made mainly with money from France and in particular producer Marin Karmitz. These focused on moral and metaphysical issues along similar lines to The Decalogue and Blind Chance but on a more abstract level, with smaller casts, more internal stories, and less interest in communities. Poland appeared in these films mostly through the eyes of European outsiders. The four ...

See also:

Krzysztof Kieślowski, Krzysztof Kieślowski - Early life, Krzysztof Kieślowski - Documentaries, Krzysztof Kieślowski - Polish feature films, Krzysztof Kieślowski - Foreign productions, Krzysztof Kieślowski - Death and legacy, Krzysztof Kieślowski - Filmography, Krzysztof Kieślowski - Documentaries/short subjects, Krzysztof Kieślowski - Features

Krzysztof Kieślowski, Krzysztof Kieślowski - Death and legacy, Krzysztof Kieślowski - Documentaries, Krzysztof Kieślowski - Documentaries/short subjects, Krzysztof Kieślowski - Early life, Krzysztof Kieślowski - Features, Krzysztof Kieślowski - Filmography, Krzysztof Kieślowski - Foreign productions, Krzysztof Kieślowski - Polish feature films

Krzysztof Kieślowski: Encyclopedia II - Krzysztof Kieślowski - Foreign productions



Krzysztof Kieślowski - Foreign productions

Kieślowski's last four films were foreign co-productions, made mainly with money from France and in particular producer Marin Karmitz. These focused on moral and metaphysical issues along similar lines to The Decalogue and Blind Chance but on a more abstract level, with smaller casts, more internal stories, and less interest in communities. Poland appeared in these films mostly through the eyes of European outsiders. The four films were his most commercially successful by some distance.

The first of these was La double vie de Véronique (The Double Life of Véronique) (1990), starring Irène Jacob. The relative commercial success of this film allowed Kieślowski the opportunity to raise the funding for his amibitious final films, the trilogy Three Colors (Blue, White, Red), his most acclaimed works next to The Decalogue and his first international commercial successes. The three films together garnerd a host of prestigious international awards, including the Golden Lion for Best Film and Silver Lion for Best Director at the Venice Film Festival, and the Silver Bear for Best Director at the Berlin Film Festival, in addition to winning three Academy Award nominations. The Trilogy is generally regarded as a major achievement in modern cinema.

Other related archives

1941, 1969, 1970, 1971, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1981, 1984, 1987, 1988, 1989, 1991, 1993, 1994, 1995, 1996, 2002, 2005, A Short Film About Love, Academy Award, Agnieszka Holland, Andrzej Wajda, Berlin Film Festival, Blue, Danis Tanović, Dante, Emmanuelle Béart, France, Heaven, Irène Jacob, Jerzy Stuhr, June 27, Krzysztof Piesiewicz, La commedia, March 13, Marin Karmitz, Moscow International Film Festival, Poland, Polish, Politburo, Red, Roman Polański, Ten Commandments, The Decalogue, The Double Life of Véronique, Three Colors, Three Colors: Blue, Three Colors: Red, Three Colors: White, Tom Tykwer, Toronto International Film Festival, Van den Budenmayer, Venice Film Festival, Warsaw, West Germany, White, Zbigniew Preisner, compulsory military service, director, director of photography, documentary films, film, firemen, screenwriter, social realism, television, theatre director, Łódź Film School



Adapted from the Wikipedia article "Foreign productions", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki


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