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Krzysztof Kieślowski - Documentaries |  | Krzysztof Kieślowski - Documentaries: Encyclopedia II - Krzysztof Kieślowski - Documentaries |  | Kieślowski's early documentaries focused on the everyday lives of city dwellers, workers, and soldiers. Though he was not an overtly political filmmaker, he soon found that attempting to depict Polish life accurately brought him into conflict with the authorities. His television film Workers '71, which showed workers discussing the reasons for the mass strikes of 1970, was only shown in a drastically censored form.
After Workers '71, he turned his eye on the authorities themselves in Curriculum Vitae, a film that ...
See also:Krzysztof Kieślowski, Krzysztof Kieślowski - Early life, Krzysztof Kieślowski - Documentaries, Krzysztof Kieślowski - Polish feature films, Krzysztof Kieślowski - Foreign productions, Krzysztof Kieślowski - Death and legacy, Krzysztof Kieślowski - Filmography, Krzysztof Kieślowski - Documentaries/short subjects, Krzysztof Kieślowski - Features |  | | Krzysztof Kieślowski, Krzysztof Kieślowski - Death and legacy, Krzysztof Kieślowski - Documentaries, Krzysztof Kieślowski - Documentaries/short subjects, Krzysztof Kieślowski - Early life, Krzysztof Kieślowski - Features, Krzysztof Kieślowski - Filmography, Krzysztof Kieślowski - Foreign productions, Krzysztof Kieślowski - Polish feature films |  | |
|  |  | Krzysztof Kieślowski: Encyclopedia II - Krzysztof Kieślowski - Documentaries
Krzysztof Kieślowski - Documentaries
Kieślowski's early documentaries focused on the everyday lives of city dwellers, workers, and soldiers. Though he was not an overtly political filmmaker, he soon found that attempting to depict Polish life accurately brought him into conflict with the authorities. His television film Workers '71, which showed workers discussing the reasons for the mass strikes of 1970, was only shown in a drastically censored form.
After Workers '71, he turned his eye on the authorities themselves in Curriculum Vitae, a film that combined documentary footage of Politburo meetings with a fictional story about a man under scrutiny by the officials. Though Kieślowski believed the film's message was anti-authoritarian, he was criticized by his colleagues for cooperating with the government in its production.
Kieślowski later said that he abandoned documentary filmmaking due to two experiences: the censorship of Workers '71, which caused him to doubt whether truth could be told literally under an authoritarian regime, and an incident during the filming of Station (1981) in which some of his footage was nearly used as evidence in a criminal case. He decided that fiction not only allowed more artistic freedom, but could portray everyday life more truthfully.
Other related archives1941, 1969, 1970, 1971, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1981, 1984, 1987, 1988, 1989, 1991, 1993, 1994, 1995, 1996, 2002, 2005, A Short Film About Love, Academy Award, Agnieszka Holland, Andrzej Wajda, Berlin Film Festival, Blue, Danis Tanović, Dante, Emmanuelle Béart, France, Heaven, Irène Jacob, Jerzy Stuhr, June 27, Krzysztof Piesiewicz, La commedia, March 13, Marin Karmitz, Moscow International Film Festival, Poland, Polish, Politburo, Red, Roman Polański, Ten Commandments, The Decalogue, The Double Life of Véronique, Three Colors, Three Colors: Blue, Three Colors: Red, Three Colors: White, Tom Tykwer, Toronto International Film Festival, Van den Budenmayer, Venice Film Festival, Warsaw, West Germany, White, Zbigniew Preisner, compulsory military service, director, director of photography, documentary films, film, firemen, screenwriter, social realism, television, theatre director, Łódź Film School
 Adapted from the Wikipedia article "Documentaries", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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