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Just intonation - Non-western tuning |  | Just intonation - Non-western tuning: Encyclopedia II - Just intonation - Non-western tuning |  | In Indian music, the basic unaltered diatonic scale is considered to be 1/1, 9/8, 5/4, 4/3, 3/2, 27/16, 15/8, 2/1. This would appear problematic, since (27/16):(5/4) = 27:20 (a wolf interval), not 4:3. But Indian music uses melodies over a drone dyad (usually 1/1 and 3/2), so these two pitches (27/16 and 5/4) would seldom be heard sounding together. See sargam and swara.
[The just scale with the ratios 1/1, 9/8, 5/4, 4/3, 3/2, *5/3*, 15/8, 2/1 gives (5/3):(5/4) = 4:3 (a perfect fourth), and allows these notes to sound together in a co ...
See also:Just intonation, Just intonation - The diatonic scale in just intonation, Just intonation - Why isn't just intonation used much?, Just intonation - Singing in just intonation, Just intonation - Bagpipe tuning, Just intonation - Non-western tuning, Just intonation - Western composers who specified just intonation |  | | Just intonation, Just intonation - Bagpipe tuning, Just intonation - Non-western tuning, Just intonation - Singing in just intonation, Just intonation - The diatonic scale in just intonation, Just intonation - Western composers who specified just intonation, Just intonation - Why isn't just intonation used much?, musical tuning, microtonal music, mathematics of musical scales, Pythagorean tuning, meantone temperament, well temperament, equal temperament |  | |
|  |  | Just intonation: Encyclopedia II - Just intonation - Non-western tuning
Just intonation - Non-western tuning
In Indian music, the basic unaltered diatonic scale is considered to be 1/1, 9/8, 5/4, 4/3, 3/2, 27/16, 15/8, 2/1. This would appear problematic, since (27/16):(5/4) = 27:20 (a wolf interval), not 4:3. But Indian music uses melodies over a drone dyad (usually 1/1 and 3/2), so these two pitches (27/16 and 5/4) would seldom be heard sounding together. See sargam and swara.
[The just scale with the ratios 1/1, 9/8, 5/4, 4/3, 3/2, *5/3*, 15/8, 2/1 gives (5/3):(5/4) = 4:3 (a perfect fourth), and allows these notes to sound together in a consonant fashion, but then introduces another problem in that (5/3):(9/8) = 40:27 (a wolf interval), not 3:2. These issues prevented strict just intonation from becoming prevalent in the West, but it thrives in India, where they are largely irrelevant.]
Other related archives1986, 1987, Arnold Dreyblatt, Bach, Ben Johnston, Chopin, Eivind Groven, Elodie Lauten, Ernesto Rodrigues, Erv Wilson, Glenn Branca, Harry Partch, Hilliard Ensemble, James Tenney, Kraig Grady, Kyle Gann, La Monte Young, Lou Harrison, Major tone, Minor tone, Pauline Oliveros, Pythagorean tuning, Robert Rich, Semitone, Stuart Dempster, Synthesizers, Terry Riley, The Well-Tempered Clavier, Wendy Carlos, a cappella, atonality, chromatic scale, consonant, diatonic scale, equal temperament, frequencies, frets, guitar, harmonic series, interval, keys, limit, major, mathematics of musical scales, meantone temperament, microtonal music, modulation, musical tuning, notes, octaves, perfect fifth, perfect fourth, prime number, rational numbers, ratios, sargam, schismatic temperament, serialism, square, swara, tonal, well temperament, whole number, wolf intervals
 Adapted from the Wikipedia article "Non-western tuning", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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