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Hindu temple architecture - Design and History

Hindu temple architecture - Design and History: Encyclopedia II - Hindu temple architecture - Design and History

The Magadha empire rose with the Shishunaga dynasty in around 650 BC. The Ashtadhyayi of Panini, the great grammarian of the 5th century BC speaks of images that were used in Hindu temple worship. The ordinary images were called pratikriti and the images for worship were called archa (see As. 5.3.96-100). Patanjali, the 2nd century BC author of the Mahabhashya commentary on the Ashtadhyayi, tells us more about the images. Deity images for sale were called Shivaka etc., but an archa of Shiva was just called Shiva. Patanjali mentions Shiva and ...

See also:

Hindu temple architecture, Hindu temple architecture - Design and History

Hindu temple architecture, Hindu temple architecture - Design and History, Sthapatya Veda, Vaastu Shastra, Vedic altars, Indian architecture

Hindu temple architecture: Encyclopedia II - Hindu temple architecture - Design and History



Hindu temple architecture - Design and History

The Magadha empire rose with the Shishunaga dynasty in around 650 BC. The Ashtadhyayi of Panini, the great grammarian of the 5th century BC speaks of images that were used in Hindu temple worship. The ordinary images were called pratikriti and the images for worship were called archa (see As. 5.3.96-100). Patanjali, the 2nd century BC author of the Mahabhashya commentary on the Ashtadhyayi, tells us more about the images. Deity images for sale were called Shivaka etc., but an archa of Shiva was just called Shiva. Patanjali mentions Shiva and Skanda deities. There is also mention of the worship of Vasudeva (Krishna). We are also told that some images could be moved and some were immoveable. Panini also says that an archa was not to be sold and that there were people (priests) who obtained their livelihood by taking care of it.

Panini and Patanjali mention temples which were called prasadas. The earlier Shatapatha Brahmana of the period of the Vedas, informs us of an image in the shape of Purusha which was placed within the altar.

The Vedic books describe the plan of the temple to be square. This plan is divided into 64 or 81 smaller square, where each of these represent a specific divinity.

Amongst the foremost interpreters of Indian art and architecture are Lokesh Chandra and Kapila Vatsyayan.




Adapted from the Wikipedia article "Design and History", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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