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Hardcore punk - Influence

Hardcore punk - Influence: Encyclopedia II - Hardcore punk - Influence

Hardcore had a huge influence on other forms of rock music, especially in America. The San-Francisco-based heavy metal band Metallica were among the first crossover artists (circa 1982-83), incorporating the compositional structure and technical proficiency of metal with the speed and aggression of hardcore (Metallica would eventually cover three Misfits songs). Venom were another very early crossover band, as were Hellhammer and Slayer. The new style became known as "Thrash metal" -- or, later, "Speed metal" (another transitional term was "Speedcore"'), and soon became a trend, includin ...

See also:

Hardcore punk, Hardcore punk - Overview, Hardcore punk - History, Hardcore punk - The Big 3, Hardcore punk - Early support, Hardcore punk - Negative publicity, Hardcore punk - Moshing and dancing, Hardcore punk - Influence, Hardcore punk - Early history in Europe and the UK, Hardcore punk - Hardcore in the 1990s, Hardcore punk - Heavy Hardcore, Hardcore punk - Progression and experimentation, Hardcore punk - Hardcore today, Hardcore punk - Hardcore bands

Hardcore punk, Hardcore punk - Early history in Europe and the UK, Hardcore punk - Early support, Hardcore punk - Hardcore bands, Hardcore punk - Hardcore in the 1990s, Hardcore punk - Hardcore today, Hardcore punk - Heavy Hardcore, Hardcore punk - History, Hardcore punk - Influence, Hardcore punk - Moshing and dancing, Hardcore punk - Negative publicity, Hardcore punk - Overview, Hardcore punk - Progression and experimentation, Hardcore punk - The Big 3

Hardcore punk: Encyclopedia II - Hardcore punk - Influence



Hardcore punk - Influence

Hardcore had a huge influence on other forms of rock music, especially in America. The San-Francisco-based heavy metal band Metallica were among the first crossover artists (circa 1982-83), incorporating the compositional structure and technical proficiency of metal with the speed and aggression of hardcore (Metallica would eventually cover three Misfits songs). Venom were another very early crossover band, as were Hellhammer and Slayer. The new style became known as "Thrash metal" -- or, later, "Speed metal" (another transitional term was "Speedcore"'), and soon became a trend, including other bands such as Megadeth and Anthrax.

The rising influence of heavy metal in the hardcore scene ---the Boston scene had gone over en masse, circa 1984, while other bands such as Corrosion of Conformity, from Raleigh, North Carolina, gained prominence through popularity among metal fans--dismayed some hardcore punks, especially veterans, who felt that the hardcore bands who were crossing over to metal styles were selling out to some of the very sensibilities that hardcore had organized against. Long-time hardcore punks, who remembered only a couple of years earlier fighting in streets with hostile metalheads, now felt that those same people were attempting to co-opt hardcore. These die-hard hardcore punks argued that the new long-haired interpreters of hardcore were merely mimicking emotions, such as raw anger, that they did not truly feel.

A 1986 concert by the U.K. band Discharge in New York City generated brief international notoriety when a crowd of roughly 1,500 paid $10 admission and pelted the band with garbage, an apparent response to the band's recent turn to a more metallic sound.

In 1985, New York's Stormtroopers of Death, an Anthrax side project, released the extremely popular album Speak English or Die. Though it bore similarities to Thrash metal, such as a characteristic bass-heavy guitar sound, and fast tempos and chord changes, the album was distinguished from Thrash metal by its lack of guitar solos and heavy use of crunchy chord breakdowns (a New York hardcore technique) known as "mosh parts". Other bands, most notably Suicidal Tendencies (from Los Angeles) and DRI (from Austin, Texas) played music similar to that of Stormtroopers of Death. The music, dubbed Crossover in the 1980s, is today often called punk metal.

Many hardcore bands branched out and began experimenting with other styles, moods and concerns as their careers progressed in the 1980s; the music of many of these bands are some of the earliest examples of what became known as alternative rock. Hüsker Dü's artistic growth from Land Speed Record to their final album Warehouse: Songs and Stories is a chief example of this development. Grunge was especially heavily influenced by hardcore. The sense of liberation that many of the grunge bands got--that you didn't have to be the world's greatest musician to form a band--was at least as important as the music. Even though the early grunge sound was more influenced by Black Sabbath and Black Flag's My War album than hardcore punk rock, bands like Mudhoney and Nirvana would instill a traditional hardcore influence as well as take the sound into more conventional pop-oriented territory. (Kurt Cobain once described Nirvana's sound as "The Knack and The Bay City Rollers being molested by Black Flag and Black Sabbath.") The popularity of grunge ultimately resulted in renewed interest in American hardcore in the '90s.

In the early '90s, bands like NOFX and Bad Religion, both of which had been around since the early '80s, achieved varying levels of mainstream success. They added catchy melodies and anthemic choruses to the hardcore template whilst removing much of the aggression and anger that had been the genre's trademark. While NOFX and Bad Religion are usually accepted as authentic by fans of hardcore punk, other Pop punk bands that had a poppier sound, such as Green Day and blink 182, were often accused of being "sellouts" or "posers."

Bands that retained the aggression of '80s Hardcore into the '90s include Agnostic Front , The Dwarves, The Distillers and Zero Bullshit (although debatably The Dwarves and The Distillers took just as much from influences outside of the hardcore genre as inside it). Many early hardcore bands have regrouped.

The hardcore punk scene had an influence that spread far beyond music. The straight edge philosophy was rooted in a faction of hardcore particularly popular on the East Coast. Hardcore also put a great emphasis on the DIY punk ethic, with many bands making their own records, flyers, and other items, and booking their own tours through an informal network of like-minded people. Radical environmentalism and veganism found popular expressions in the hardcore scene.

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1976, 1978, 1980s, 1981, 1985, 1990s, 2000s, 7 inch, 82, Agnostic Front, Anarcho-punk, Anthrax, Anti Cimex, Anti-cimex, Antioch Arrow, Asylum, Avskum, Bad Brains, Bad Religion, Big Boys, Biohazard, Black Flag, Black Sabbath, Bleeding Through, Bob Sallese, Born Against, Boston, Breakdown, California, Category:Hardcore punk groups, Celtic Frost, Circle Jerks, Conflict, Confuse, Corrosion of Conformity, Crass, Crossover, D-beat, D.O.A., DIY, DIY punk ethic, DRI, Dead Kennedys, Death from Above, Deep Turtle, Dezerter, Discharge, Dischord Records, Disclose, Disorder, Doom, EP, EPs, Earth Crisis, Entombed, Eskorbuto, Extreme Noise Terror, Flipper, Flipside, Free Jazz, From Ashes Rise, GISM, Green Day, Grunge, Hatebreed, Heimat-Los, Hellbastard, Hellhammer, Henry Rollins, Heresy, Heroin, Huntington Beach, Hüsker Dü, Ian Mackaye, Inner Surge, Japan, Jazz, Jeff Nelson, John Zorn, Judge, KPFA, KROQ, Knuckledust, Kurt Cobain, List of Early New Jersey Hardcore Bands, List of hardcore punk bands, London, Los Angeles, Los Crudos, MTV, Madball, Malaysia, Max's Kansas City, Maximum RocknRoll, Megadeth, Melt Banana, Metallica, Middle Class, Millions Of Dead Cops, Minor Threat, Misfits, Mission of Burma, Motörhead, Mr Bungle, Mudhoney, My War, NOFX, Naked City, Napalm Death, Necros, Negative Approach, Negazione, Neglect, Neurosis, New York, New York City, Nirvana, No Means No, North America, Oi!, Orange County, Our Band Could Be Your Life, Pennywise, Philippines, Plasmid, Poison the Well, Pop punk, Punk Rock, ROIR, Reaganism, Ripcord, Rodney on the ROQ, Rudimentary Peni, Ruins, SS Decontrol, Sadcore, Saint Paul, Minnesota, Santa Barbara, Seattle's, Septic Death, Sex Pistols, Sham 69, Siege, Sin Dios, Singapore, Slayer, Slowcore, Speak English or Die, Speed metal, Spitfire, Stormtroopers of Death, Straight edge, Street Punk, Subzero, Suicidal Tendencies, Sworn Enemy, Terveet Kädet, The Anti-Nowhere League, The Bay City Rollers, The Dicks, The Distillers, The Dwarves, The Exploited, The Germs, The Knack, The Locust, The Misfits, The Mob, The Ramones, The Teen Idles, This Is Boston, Not L.A., Thrash metal, Tim Yohannon, Tragedy, UK Subs, United Kingdom, Vancouver, Venom, Washington, D.C., Washington, DC, Wretched, Zeke, alternative rock, blink 182, circle pit, crustcore, death metal growl, electronica, emo, fashioncore, godfathers, goth, hardcore dancing, heavy metal, hip hop, holy grail, indie rock, metalcore, mosh, pop, post-punk, power violence, punk, punk rock, rock music, sellouts, singles, straight edge, tempos, vegan, zines



Adapted from the Wikipedia article "Influence", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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