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Hardcore punk - Early support | | Hardcore punk - Early support: Encyclopedia II - Hardcore punk - Early support | | Hardcore was like most punk rock in that many of the bands specifically sought not to become famous pop stars. The concept of hit singles was nonexistant, as 7 inch records were used as EPs and not singles. The bands also were probably too poor or too apathetic to make videos for their songs. Complicating the matter further is the fact that many bands did not record at length, or released only self-made recor ...
See also:Hardcore punk, Hardcore punk - Overview, Hardcore punk - History, Hardcore punk - The Big 3, Hardcore punk - Early support, Hardcore punk - Negative publicity, Hardcore punk - Moshing and dancing, Hardcore punk - Influence, Hardcore punk - Early history in Europe and the UK, Hardcore punk - Hardcore in the 1990s, Hardcore punk - Heavy Hardcore, Hardcore punk - Progression and experimentation, Hardcore punk - Hardcore today, Hardcore punk - Hardcore bands | | | Hardcore punk, Hardcore punk - Early history in Europe and the UK, Hardcore punk - Early support, Hardcore punk - Hardcore bands, Hardcore punk - Hardcore in the 1990s, Hardcore punk - Hardcore today, Hardcore punk - Heavy Hardcore, Hardcore punk - History, Hardcore punk - Influence, Hardcore punk - Moshing and dancing, Hardcore punk - Negative publicity, Hardcore punk - Overview, Hardcore punk - Progression and experimentation, Hardcore punk - The Big 3 | | |
| | | Hardcore punk: Encyclopedia II - Hardcore punk - Early support
Hardcore punk - Early support
Hardcore was like most punk rock in that many of the bands specifically sought not to become famous pop stars. The concept of hit singles was nonexistant, as 7 inch records were used as EPs and not singles. The bands also were probably too poor or too apathetic to make videos for their songs. Complicating the matter further is the fact that many bands did not record at length, or released only self-made records, often with extremely low production values.
Therefore the early bands genuinely got zero support from MTV and commercial radio. However, independent and college stations all around the country usually had at least one person eager to get his favorite punk bands out on the radio, leading to many localized hardcore spots on the radio.
One of the most influential shows was Rodney on the ROQ on Los Angeles’ commercial station KROQ. DJ Rodney Bingenheimer played many styles of music, and helped popularize what was, circa 1979–80, called "Beach Punk"—a rowdy suburban style played by mostly teenage bands in and around Huntington Beach, and in heavily conservative Orange County.
The San Francisco-area public station KPFA featured the Maximum Rock ’n’ Roll radio show with DJs Tim Yohannon and Jeff Bale, who played the younger Northern California bands. A wave of zines also helped spread the new, younger punk style, including Guillotine, Ripper, Flipside, and in late 1981, Yohannon and Bale’s Maximum RocknRoll zine—modeled on Tim Tonooka's Ripper, but with a national circulation and 'scene reports' from around the country. A strong infrastructure of indie labels, linked with already-existing radio outlets and both old and new zines (Slash, Option, Flipside, and others had already covered alternative music for several years), helped to create a functioning, nationwide subculture, if not always one that was appreciated by older indie-music fans.
Other related archives1976, 1978, 1980s, 1981, 1985, 1990s, 2000s, 7 inch, 82, Agnostic Front, Anarcho-punk, Anthrax, Anti Cimex, Anti-cimex, Antioch Arrow, Asylum, Avskum, Bad Brains, Bad Religion, Big Boys, Biohazard, Black Flag, Black Sabbath, Bleeding Through, Bob Sallese, Born Against, Boston, Breakdown, California, Category:Hardcore punk groups, Celtic Frost, Circle Jerks, Conflict, Confuse, Corrosion of Conformity, Crass, Crossover, D-beat, D.O.A., DIY, DIY punk ethic, DRI, Dead Kennedys, Death from Above, Deep Turtle, Dezerter, Discharge, Dischord Records, Disclose, Disorder, Doom, EP, EPs, Earth Crisis, Entombed, Eskorbuto, Extreme Noise Terror, Flipper, Flipside, Free Jazz, From Ashes Rise, GISM, Green Day, Grunge, Hatebreed, Heimat-Los, Hellbastard, Hellhammer, Henry Rollins, Heresy, Heroin, Huntington Beach, Hüsker Dü, Ian Mackaye, Inner Surge, Japan, Jazz, Jeff Nelson, John Zorn, Judge, KPFA, KROQ, Knuckledust, Kurt Cobain, List of Early New Jersey Hardcore Bands, List of hardcore punk bands, London, Los Angeles, Los Crudos, MTV, Madball, Malaysia, Max's Kansas City, Maximum RocknRoll, Megadeth, Melt Banana, Metallica, Middle Class, Millions Of Dead Cops, Minor Threat, Misfits, Mission of Burma, Motörhead, Mr Bungle, Mudhoney, My War, NOFX, Naked City, Napalm Death, Necros, Negative Approach, Negazione, Neglect, Neurosis, New York, New York City, Nirvana, No Means No, North America, Oi!, Orange County, Our Band Could Be Your Life, Pennywise, Philippines, Plasmid, Poison the Well, Pop punk, Punk Rock, ROIR, Reaganism, Ripcord, Rodney on the ROQ, Rudimentary Peni, Ruins, SS Decontrol, Sadcore, Saint Paul, Minnesota, Santa Barbara, Seattle's, Septic Death, Sex Pistols, Sham 69, Siege, Sin Dios, Singapore, Slayer, Slowcore, Speak English or Die, Speed metal, Spitfire, Stormtroopers of Death, Straight edge, Street Punk, Subzero, Suicidal Tendencies, Sworn Enemy, Terveet Kädet, The Anti-Nowhere League, The Bay City Rollers, The Dicks, The Distillers, The Dwarves, The Exploited, The Germs, The Knack, The Locust, The Misfits, The Mob, The Ramones, The Teen Idles, This Is Boston, Not L.A., Thrash metal, Tim Yohannon, Tragedy, UK Subs, United Kingdom, Vancouver, Venom, Washington, D.C., Washington, DC, Wretched, Zeke, alternative rock, blink 182, circle pit, crustcore, death metal growl, electronica, emo, fashioncore, godfathers, goth, hardcore dancing, heavy metal, hip hop, holy grail, indie rock, metalcore, mosh, pop, post-punk, power violence, punk, punk rock, rock music, sellouts, singles, straight edge, tempos, vegan, zines
 Adapted from the Wikipedia article "Early support", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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