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Ezra Pound - The London Revolution

Ezra Pound - The London Revolution: Encyclopedia II - Ezra Pound - The London Revolution

Pound's early poetry was inspired by his reading of the pre-Raphaelites and other 19th century poets and medieval Romance literature, as well as much neo-Romantic and occult/mystical philosophy. When he moved to London, under the influence of Ford Madox Ford and T. E. Hulme , he began to cast off overtly archaic poetic language and forms in an attempt to remake himself as a poet. He believed W. B. Yeats was the greatest living poet, and befriended him in England, eventually being employed as the Irish poet's secretary. He was also interested ...

See also:

Ezra Pound, Ezra Pound - Early life and contemporaries, Ezra Pound - The London Revolution, Ezra Pound - Paris, Ezra Pound - Italy, Ezra Pound - St. Elizabeths, Ezra Pound - Return to Italy, Ezra Pound - Importance, Ezra Pound - Selected works, Ezra Pound - Audio recordings

Ezra Pound, Ezra Pound - Audio recordings, Ezra Pound - Early life and contemporaries, Ezra Pound - Importance, Ezra Pound - Italy, Ezra Pound - Paris, Ezra Pound - Return to Italy, Ezra Pound - Selected works, Ezra Pound - St. Elizabeths, Ezra Pound - The London Revolution

Ezra Pound: Encyclopedia II - Ezra Pound - The London Revolution



Ezra Pound - The London Revolution

Pound's early poetry was inspired by his reading of the pre-Raphaelites and other 19th century poets and medieval Romance literature, as well as much neo-Romantic and occult/mystical philosophy. When he moved to London, under the influence of Ford Madox Ford and T. E. Hulme , he began to cast off overtly archaic poetic language and forms in an attempt to remake himself as a poet. He believed W. B. Yeats was the greatest living poet, and befriended him in England, eventually being employed as the Irish poet's secretary. He was also interested in Yeats's occult beliefs. Yeats and Pound were instrumental in helping each other modernise their poetry. During the war, Pound and Yeats lived together at Stone Cottage in Sussex, England, studying Japanese, especially Noh plays. They paid particular attention to the works of Ernest Fenollosa, an American professor in Japan, whose work on Chinese characters Pound developed into what he called the Ideogrammic Method. In 1914, Pound married Dorothy Shakespear, an artist.

In the years before the First World War, Pound was largely responsible for the appearance of Imagism and Vorticism. These two movements, which helped bring to notice the work of poets and artists like James Joyce, Wyndham Lewis, William Carlos Williams, H.D., Richard Aldington, Marianne Moore, Rebecca West and Henri Gaudier-Brzeska, can be seen as perhaps the central events in the birth of English-language modernism. Pound also edited his friend Eliot's The Waste Land, the poem that was to force the new poetic sensibility into public attention.

However, the war shattered Pound's belief in modern western civilisation and he abandoned London soon after, but not before he published Homage to Sextus Propertius (1919) and Hugh Selwyn Mauberley (1920). If these poems together form a farewell to Pound's London career, The Cantos, which he began in 1915, pointed his way forward.

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Adapted from the Wikipedia article "The London Revolution", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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