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Elizabethan theatre - History |  | Elizabethan theatre - History: Encyclopedia II - Elizabethan theatre - History |  | Elizabethan theatre derived from several sources. A crucial source was the mystery plays that were part of religious festivals in England and other parts of Europe during the Middle Ages. The mystery plays were complex retellings of legends based on biblical themes, originally performed in churches but later becoming more linked to the secular celebrations that grew up around religious festivals. Other sources include the morality plays that evolved out of the mysteries, the "University drama" that attempted to recreate Greek tragedy. ...
See also:Elizabethan theatre, Elizabethan theatre - History, Elizabethan theatre - Performances, Elizabethan theatre - Writers, Elizabethan theatre - Finale, Elizabethan theatre - Genres, Elizabethan theatre - List of playwrights, Elizabethan theatre - List of players, Elizabethan theatre - Other significant people, Elizabethan theatre - List of playhouses, Elizabethan theatre - List of playing companies, Elizabethan theatre - External link |  | | Elizabethan theatre, Elizabethan theatre - External link, Elizabethan theatre - Finale, Elizabethan theatre - Genres, Elizabethan theatre - History, Elizabethan theatre - List of players, Elizabethan theatre - List of playhouses, Elizabethan theatre - List of playing companies, Elizabethan theatre - List of playwrights, Elizabethan theatre - Other significant people, Elizabethan theatre - Performances, Elizabethan theatre - Writers |  | |
|  |  | Elizabethan theatre: Encyclopedia II - Elizabethan theatre - History
Elizabethan theatre - History
Elizabethan theatre derived from several sources. A crucial source was the mystery plays that were part of religious festivals in England and other parts of Europe during the Middle Ages. The mystery plays were complex retellings of legends based on biblical themes, originally performed in churches but later becoming more linked to the secular celebrations that grew up around religious festivals. Other sources include the morality plays that evolved out of the mysteries, the "University drama" that attempted to recreate Greek tragedy. Later, in the 17th century, the Commedia dell'arte and the elaborate masques frequently presented at court came to play roles in the shaping of public theater.
Temporary companies of players attached to households of leading noblemen and performing seasonally in various locations existed before the reign of Elizabeth I. These became the foundation for the professional players that performed on the Elizabethan stage. The tours of these players gradually replaced the performances or the mystery and morality plays by local players, and a 1572 law eliminated the remaining companies lacking formal patronage by labelling them as vagabonds. At court as well, the performance of masques by courtiers and other amateurs, apparently common in the early years of Elizabeth, was replaced by the professional companies with noble patrons, who grew in number and quality during her reign.
The local government of London was generally hostile to public performances, but its hostility was overmatched by the Queen's taste for plays and the Privy Council's support. Theatres sprang up in suburbs, especially in Southwark, accessible across the Thames to city dwellers, but not controlled by the London corporation. The companies maintained the pretence that their public performances were mere rehearsals for the frequent performances before the Queen, but while the latter did grant prestige, the former were the real source of the income professional players required.
Other related archives1558, 1600, 1603, 1642, 17th century, Abraham Fraunce, Anthony Munday, Arthur Golding, Ben Jonson, British drama, Cambridge, Charles I, Charles II, Christopher Beeston, Christopher Marlowe, Civil War, Commedia dell'arte, Curtain Theatre, Don Quixote, Dr Faustus, Edward Alleyn, Edward II, Elizabeth I, England, English, English Civil War, Europe, Francis Beaumont, George Bernard Shaw, George Buc, George Chapman, George Gascoigne, George Peele, Henry Chettle, Henry Condell, Henry Porter, Henry V, History of United Kingdom literatures, James Burbage, James I, James Shirley, John Day, John Fletcher, John Ford, John Heminges, John Lyly, John Marston, John Phillip, John Pickering, John Synge, John Webster, Julius Caesar, London, Louis XIV, Master of the Revels, Michael Drayton, Middle Ages, Molière, Nathan Field, New Comedy, Oscar Wilde, Oxford, Philip Henslowe, Philip Massinger, Philip Sidney, Privy Council's, Puritan, Restoration comedy, Richard Burbage, Richard Hathwaye, Richard III, Richard Tarlton, Robert Armin, Robert Greene, Roman, Roman Empire, Romeo and Juliet, Samuel Daniel, Samuel Rowley, Shakespeare, Shoreditch, The Admiral's Men, The Curtain, The Duchess of Malfi, The Fortune, The Globe, The Jew of Malta, The King's Men, The Lord Chamberlain's Men, The Queen's Men, The Rose, The Spanish Tragedy, The Swan, The Theatre, Theatre in the United Kingdom, Thomas Dekker, Thomas Goffe, Thomas Heywood, Thomas Hughes, Thomas Kyd, Thomas Lodge, Thomas Middleton, Thomas Nashe, Thomas Norton, Thomas Preston, Tragedy, Wentworth Smith, Will Kempe, William Alabaster, William Haughton, William Rowley, William Shakespeare, balcony, city comedy, history play, masques, monarchy was restored, morality plays, mystery plays, revenge dramas
 Adapted from the Wikipedia article "History", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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