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David Copperfield novel - Overview |  | David Copperfield novel - Overview: Encyclopedia II - David Copperfield novel - Overview |  | Dickens worked on David Copperfield for two years between 1848 and 1850, carefully planning out the plot and structure. Seven novels precede it, and seven novels would come after it, Copperfield being his mid-point novel.
Tolstoy regarded Dickens as the best of all English novelists, and considered Copperfield to be his finest work, ranking the "Tempest" chapter (chapter 55,LV - the story of Ham and the storm and the shipwreck) the standard by which the world's great fiction should be judged. Henry James remembere ...
See also:David Copperfield novel, David Copperfield novel - Overview, David Copperfield novel - Story, David Copperfield novel - Adaptations, David Copperfield novel - Publication, David Copperfield novel - External link |  | | David Copperfield novel, David Copperfield novel - Adaptations, David Copperfield novel - External link, David Copperfield novel - Overview, David Copperfield novel - Publication, David Copperfield novel - Story |  | |
|  |  | David Copperfield novel: Encyclopedia II - David Copperfield novel - Overview
David Copperfield novel - Overview
Dickens worked on David Copperfield for two years between 1848 and 1850, carefully planning out the plot and structure. Seven novels precede it, and seven novels would come after it, Copperfield being his mid-point novel.
Tolstoy regarded Dickens as the best of all English novelists, and considered Copperfield to be his finest work, ranking the "Tempest" chapter (chapter 55,LV - the story of Ham and the storm and the shipwreck) the standard by which the world's great fiction should be judged. Henry James remembered hiding under a small table as a boy to hear installments read by his mother. Dostoevsky read it enthralled in a Siberian prison camp. Franz Kafka called his last book Amerika a "sheer imitation". James Joyce paid it reverence through parody in Ulysses. Virginia Woolf, who normally had little regard for Dickens, confessed the durability of this one novel, belonging to "the memories and myths of life".
The story is told almost entirely from the position of the first person narrative, through the voice of David Copperfield himself, and was the first Dickens novel to do so. Critically, it is considered a Bildungsroman and would be influential in the genre such as Dickens own Great Expectations (1861), Thomas Hardy's Jude the Obscure, Samuel Butler's The Way of All Flesh, H. G. Wells's Tono-Bungay, D. H. Lawrence's Sons and Lovers, James Joyce's Portrait of the Artist as a Young Man.
As a bildungsroman, it has one major theme throughout, the disciplining of the hero's emotional and moral life. We learn to go against "the first mistaken impulse of the undisciplined heart", a theme which is repeated throughout all the relationships and characters in the book.
Other related archives1849 books, 1850, 1935, Amerika, Andrew Halliday, Autobiographical novels, Bildungsroman, Charles Dickens, Charles Dickens novels, D. H. Lawrence, Daniel Radcliffe, Delbert Mann, Dostoevsky, Dover, Drury Lane, Franz Kafka, George Cukor, Great Expectations, H. G. Wells, Harry Potter, Henry James, Ian McKellen, James Joyce, London, Lord of the Rings, Phiz, Project Gutenberg, Samuel Butler, Thomas Hardy, Tolstoy, Ulysses, Uriah Heep, Virginia Woolf, Wilkins Micawber, autobiographical, factory, first person narrative
 Adapted from the Wikipedia article "Overview", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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