Crow: Encyclopedia II - Crow - Mythology and folklore

Crow - Mythology and folklore

Crows, and especially ravens, often feature in legends or mythology as portents or harbingers of doom or death, because of their dark plumage, unnerving calls, and tendency to eat carrion. They are commonly thought to circle above scenes of death such as battles.

In the Epic of Gilgamesh, the Chaldean myth, the character Utnapishtim releases a dove and a raven to find land, similar to what Noah does in the book of Genesis. However, in the Epic of Gilgamesh, the dove merely circles and returns. Only then does Utnapishtim send forth the raven, who does not return. Utnapishtim extrapolates from this that the raven has found land, which is why it hasn't returned. This would seem to indicate some acknowledgement of crow intelligence, which may have been apparent even in ancient times, and to some might imply that the higher intelligence of crows, when compared to other birds, is striking enough that it was known even then.

In occult circles, distinctions are sometimes made between crows and ravens. In mythology and folklore as a whole, crows tend to be symbolic more of the spiritual aspect of death, or the transition of the spirit into the afterlife, whereas ravens tend more often to be associated with the negative (physical) aspect of death. However, few if any individual mythologies or folklores make such a distinction, and there are ample exceptions. Another reason for this distinction is that while non-ravenous crows are typically highly social animals, ravens don't seem to congregate in large numbers anywhere but a) near carrion where they meet seemingly by chance, or b) at cemeteries, where large numbers sometimes live together, even though carrion there is no more available (and probably less attainable) than any road or field.

In Neopagan circles, crows are often thought to be highly psychic and are associated with the element of spirit or ether, rather than the element of air as with most other birds. This may in part be due to the long-standing occult tradition of associating the color black with "the abyss" of infinite knowledge (see akasha), or perhaps also to the more modern occult belief that wearing the "color" black aids in psychic ability, as it absorbs more electromagnetic energy, since surfaces appear black by absorbing all frequencies in the visible spectrum, reflecting no color.

Adapted from the Wikipedia article "Mythology and folklore", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki