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Bollywood - Dialogues and lyrics |  | Bollywood - Dialogues and lyrics: Encyclopedia II - Bollywood - Dialogues and lyrics |  | | The film script (frequently credited as "dialogues") and the song lyrics are often written by different people. The dialogues are mostly written in Hindi, with use of Urdu in situations which require poetic dialogues. Contemporary mainstream movies also make great use of English. Dialogues are often melodramatic and invoke God, family, mother, duty, and self-sacrifice liberally.
As an example, below is a dialogue from the 1975 film Deewar, between the gangster brother Vijay and his policeman brother Ravi:
See also: Bollywood, Bollywood - Genre conventions, Bollywood - Bollywood song and dance, Bollywood - Dialogues and lyrics, Bollywood - Cast and crew, Bollywood - Finances, Bollywood - Advertising, Bollywood - Controversies, Bollywood - Accusations of plagiarism, Bollywood - Sex scandals, Bollywood - Bollywood awards, Bollywood - History, Bollywood - List of popular movies |  | | Bollywood, Bollywood - Accusations of plagiarism, Bollywood - Advertising, Bollywood - Bollywood awards, Bollywood - Bollywood song and dance, Bollywood - Cast and crew, Bollywood - Controversies, Bollywood - Dialogues and lyrics, Bollywood - Finances, Bollywood - Genre conventions, Bollywood - History, Bollywood - List of popular movies, Bollywood - Sex scandals, Nollywood, Tollywood, Kollywood, Cinema of India, History of Indian cinema, Indian film directors, Indian film music directors, Indian playback singers, Indian movie actors, Indian movie actresses, Bollywood and the portrayal of the economy of India |  | |
|  |  | Bollywood: Encyclopedia II - Bollywood - Dialogues and lyrics
Bollywood - Dialogues and lyrics
The film script (frequently credited as "dialogues") and the song lyrics are often written by different people. The dialogues are mostly written in Hindi, with use of Urdu in situations which require poetic dialogues. Contemporary mainstream movies also make great use of English. Dialogues are often melodramatic and invoke God, family, mother, duty, and self-sacrifice liberally.
As an example, below is a dialogue from the 1975 film Deewar, between the gangster brother Vijay and his policeman brother Ravi:
Vijay: Hum dono ne ek hi jagah se apni zindagi ki shuruwat ki thi—aaj main kaha hoon aur tum kahan ho. Mere paas gaadi hai, bungalow hai, daulat hai—kya hai tumhaarey paas?
We both started our lives from the same place—look where I am today and look where you are. I have cars, bungalows, wealth—what do you have?
<short pause>
Ravi: Bhai, mere paas maa hai.
Brother, I have Mom.
Music directors often prefer working with certain lyricists, to the point that the lyricist and composer are seen as a team. This phenomenon is not unlike the pairings of American composers and songwriters that created old-time Broadway musicals (e.g., Richard Rodgers and Oscar Hammerstein II, or Alan Jay Lerner and Frederick Loewe). Song lyrics are usually about love. Bollywood song lyrics, especially in the old movies, frequently use Urdu or Hindustani vocabulary which has many elegant and poetic Arabic and Persian loan-words. Here's a sample from the 1983 film Hero, written by the great lyricist Anand Bakshi:
Bichhdey abhi to hum, bas kal parso,
jiyoongi main kaisey, is haal mein barson?
Maut na aayi, teri yaad kyon aayi,
Haaye, lambi judaayi!
We have been separated just a day or two,
How am I going to go on this way for years?
Death doesn't come; why, instead, do these memories of you?
Oh, this long separation!
Another source for love lyrics is the long Hindu tradition of poetry about the mythological amours of Krishna, Radha, and the gopis. Many lyrics compare the singer to a devotee and the object of his or her passion to Krishna or Radha.
Other related archives1994, The Rising, Aamir Khan, Abhishek Bachchan, Academy of Motion Picture Arts and Sciences, Africa, Akshay Kumar, Akshaye Khanna, Alam Ara, Alan Jay Lerner, Aman Verma, Amitabh Bachchan, Anand Bakshi, Arbaaz Khan, Asha Bhonsle, Ashok Kumar, Australia, Babita Kapoor, Bengali, Bobby Deol, Bollywood and the portrayal of the economy of India, Canada, Central Bureau of Investigation, Chori Chori Chupke Chupke, Cinema of India, Cinematographe, DVD, Deb Mukherjee, Deewar, Dev Anand, Devdas, Dharmendra, Dhundiraj Govind Phalke, Dilwale Dulhania Le Jayenge, Dimple Kapadia, Directors, English, Esha Deol, Faisal Khan, Fardeen Khan, Feroz Khan, Filmfare, Filmfare Awards, Frederick Loewe, Government of Pakistan, Great Depression, Gulzar, Guru Dutt, Helen, Hema Malini, Hindi, Hindi language, Hindu, Hindustani, History of Indian cinema, Hollywood, Hridayanath Mangeshkar, Hrishikesh Mukherjee, Hrithik Roshan, Hum Aapke Hain Koun, India, India's Most Wanted, Indian Subcontinent, Indian art cinema, Indian diaspora, Indian film directors, Indian film industry, Indian film music directors, Indian independence movement, Indian movie actors, Indian movie actresses, Indian playback singers, Indian subcontinent, Jaya Bachchan, K. L. Saigal, Kabhi Khushi Kabhi Gham, Kajol, Kannada, Kareena Kapoor, Karisma Kapoor, Kashmir, Kishore Kumar, Kollywood, Krishna, Lagaan, Lata Mangeshkar, Linguists, List of popular Bollywood films, Lumiere Brothers, MTV, Malaika Arora, Malayalam, Mansoor Khan, Middle East, Mohnish Behl, Mrinal Sen, Mumbai, Mumbai underworld, Nargis, National Film Awards, Neetu Singh, New Zealand, Nollywood, Noor Jehan, Nutan, Oscar Hammerstein II, Oscars, Oxford English Dictionary, Partition, President of India, Prithviraj Kapoor, Radha, Raj Kapoor, Raja Harishchandra, Rajesh Khanna, Rajesh Roshan, Rakesh Roshan, Randhir Kapoor, Rani Mukherjee, Richard Rodgers, Rinke Khanna, Rishi Kapoor, Roshan, Saif Ali Khan, Salim Khan, Salman Khan, Satyajit Ray, Sets, Shah Rukh Khan, Shakti Kapoor, Shammi Kapoor, Sharbani Mukherjee, Sharmila Tagore, Shashi Kapoor, Shyam Benegal, Soha Ali Khan, Sohail Khan, South Asian, South East Asia, Southeast Asia, Sunil Dutt, Sunjay Dutt, Sunny Deol, Switzerland, Tahir Hussain, Tamil, Tanisha, Tanuja, Telugu, Tollywood, Toofan, Twinkle Khanna, US$, USD, United Kingdom, United States, Urdu, Vinod Khanna, World War II, Zayed Khan, Zee Cine Awards, Zee TV, actors, ballet, banks, below, box office, casting couch, cinematography, comedy, composers, continental Europe, copyright infringement, costumes, courtesans with hearts of gold, diaspora, exposé, fans, film industry, filmi, films, financial institutions, folk art, folk dances, gopis, lip synching, melodramatic, movie theaters, musicals, paisa, riffs, special effects, studios, tawaif, television, the Bachchans
 Adapted from the Wikipedia article "Dialogues and lyrics", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
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