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Blackfoot music - Singing

Blackfoot music - Singing: Encyclopedia II - Blackfoot music - Singing

Singing consists mostly of vocables, though recordings and reports from the early 1900s and prior indicate there were a great deal more lyrics or vocal texts. Blackfoot people see the profusion of words in European American music and African American music as lessening the importance and meaning of both words and music; and the same for the manner of listening to such music, that is, for entertainment or enjoyment, often while doing other things: if someone needed to say so many words, why didn't they just talk (p.69). Blackfoot music is not ...

See also:

Blackfoot music, Blackfoot music - Musical thought, Blackfoot music - Singing, Blackfoot music - Scales and intervals, Blackfoot music - Vocal style, Blackfoot music - Drumming, Blackfoot music - Song composition, Blackfoot music - Misc, Blackfoot music - Current traditional musical groups, Blackfoot music - Source, Blackfoot music - External link

Blackfoot music, Blackfoot music - Current traditional musical groups, Blackfoot music - Drumming, Blackfoot music - External link, Blackfoot music - Misc, Blackfoot music - Musical thought, Blackfoot music - Scales and intervals, Blackfoot music - Singing, Blackfoot music - Song composition, Blackfoot music - Source, Blackfoot music - Vocal style

Blackfoot music: Encyclopedia II - Blackfoot music - Singing



Blackfoot music - Singing

Singing consists mostly of vocables, though recordings and reports from the early 1900s and prior indicate there were a great deal more lyrics or vocal texts. Blackfoot people see the profusion of words in European American music and African American music as lessening the importance and meaning of both words and music; and the same for the manner of listening to such music, that is, for entertainment or enjoyment, often while doing other things: if someone needed to say so many words, why didn't they just talk (p.69). Blackfoot music is not based on instruments or texts, and singing is not supposed to sound like talking (or imitate any other sound). Typically, songs which contain texts are short and not repetitive, such as: "It's a bad thing to be an old man," (Nettl, 1989, p.73, 1951 recording of a Crazy Dog Society song) or the relatively lengthy, "Yonder woman, you must take me. I am powerful. Yonder woman, you must take me, you must hear me. Where I sit is powerful." (Nettl, 1989, p.73, Wissler and Duvall 1909:85 sung by a rock to a woman in the buffalo-rock myth). Often when the text takes up most of the melody with fewer vocables the melodies are short. The vocables used, as in Plains Indian singing, are the consonants h, y, w, and vowels. They avoid n, c (ts) and other consonants. i and e tend slightly to be higher in pitch, a, o, and u lower (p.71). (Nettl, 1989)

Solo singing may have been more prominent, or the norm, in the past, but group singing has increased in prominence, with singing/drumming groups called "drums". Vocal blending is not required in ensemble singing. The leader may begin the head motive or phrase of a song, and then be repeated or "raised" by another singer, possibly the second singer (p.149). In pan-Indian powwow terminology, stanzas to a song are often called push-ups (p.150). (Nettl, 1989)




Adapted from the Wikipedia article "Singing", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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