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Artemisia Gentileschi - Artemisia in Popular Culture

Artemisia Gentileschi - Artemisia in Popular Culture: Encyclopedia II - Artemisia Gentileschi - Artemisia in Popular Culture

Although there were other female painters in the Renaissance, there is something in the art and the biography of Artemisia Gentileschi that makes her especially fascinating, which explains the continued interest in her life and work. The first writer who produced a novel around the figure of Artemisia was Anna Banti, wife of Roberto Longhi. Her first draft of the manuscript, dated 1944, was lost during the war. Three years later she started again with the book, to be called Artemisia, writing in a much different form. Banti's b ...

See also:

Artemisia Gentileschi, Artemisia Gentileschi - Biography, Artemisia Gentileschi - The Roman Beginning, Artemisia Gentileschi - The Florentine Period 1614-1620, Artemisia Gentileschi - Again in Rome and after in Venezia 1621-1630, Artemisia Gentileschi - Naples and the English period 1630-1653, Artemisia Gentileschi - Artistic profile, Artemisia Gentileschi - Works, Artemisia Gentileschi - Artemesia and contemporary female painters, Artemisia Gentileschi - Artemisia in Popular Culture, Artemisia Gentileschi - Related Links

Artemisia Gentileschi, Artemisia Gentileschi - Again in Rome and after in Venezia 1621-1630, Artemisia Gentileschi - Artemesia and contemporary female painters, Artemisia Gentileschi - Artemisia in Popular Culture, Artemisia Gentileschi - Artistic profile, Artemisia Gentileschi - Biography, Artemisia Gentileschi - Naples and the English period 1630-1653, Artemisia Gentileschi - Related Links, Artemisia Gentileschi - The Florentine Period 1614-1620, Artemisia Gentileschi - The Roman Beginning, Artemisia Gentileschi - Works

Artemisia Gentileschi: Encyclopedia II - Artemisia Gentileschi - Artemisia in Popular Culture



Artemisia Gentileschi - Artemisia in Popular Culture

Although there were other female painters in the Renaissance, there is something in the art and the biography of Artemisia Gentileschi that makes her especially fascinating, which explains the continued interest in her life and work.

The first writer who produced a novel around the figure of Artemisia was Anna Banti, wife of Roberto Longhi. Her first draft of the manuscript, dated 1944, was lost during the war. Three years later she started again with the book, to be called Artemisia, writing in a much different form. Banti's book is written in an "open diary" form, in which she maintains a dialogue with Artemisia, trying to understand why she finds her so fascinating.

More than fifty years later, in 1999, the French writer Alexandra Lapierre became fascinated by Artemisia and wrote a novel about her, derived from scrupulous study of the painter and the historical context of her work. The novel seeks to understand the relation between Artemisia the woman and Artemisia the painter, and ends with describing as "leitmotiv" the relation between her and her father, composed of both love insufficiently expressed, and a latent professional rivalry.

The Passion of Artemisa, recently published in Italy by Susan Vreeland, positions itself in the wave of the popularity of the feminist account of Artemisia Gentileschi. The 1997 film Artemisia, directed by Agnès Merlet and starring Valentina Cervi, was loosely based on this painter's life, but controversially portrayed the relationship between Tassi and Artemesia as a passionate affair rather than as rape.

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Adapted from the Wikipedia article "Artemisia in Popular Culture", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki

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