Apophenia: Encyclopedia - Apophenia

Apophenia

Apophenia is the experience of seeing patterns or connections in random or meaningless data. The term was coined in 1958 by Klaus Conrad, who defined it as the "unmotivated seeing of connections" accompanied by a "specific experience of an abnormal meaningfulness".

Conrad originally described this phenomenon in relation to the distortion of reality present in psychosis, but it has become more widely used to describe this tendency in healthy individuals without necessarily implying the presence of neurological or mental illness.

In statistics, apophenia would be classed as a Type I error (false alarm). Apophenia is often used as an explanation of paranormal and religious claims. It has been suggested that apophenia is a link between psychosis and creativity.

Postmodern novelists and film-makers have reflected on apophenia-related phenomena, such as paranoid narrativization or fuzzy plotting (e.g., Vladimir Nabokov's "Signs and Symbols", Thomas Pynchon's The Crying of Lot 49, Umberto Eco's The Name of the Rose and Foucault's Pendulum, William Gibson's Pattern Recognition, Arturo Pérez-Reverte's The Club Dumas and the films Conspiracy Theory and A Beautiful Mind). As narrative is one of our major cognitive instruments for structuring reality, there is some common ground between apophenia and narrative fallacies such as hindsight bias. As pattern recognition may be related to plans, goals, and ideology, and may be a matter of group ideology rather than a matter of solitary delusion, the interpreter attempting to diagnose or identify apophenia may have to face a conflict of interpretations.

See also

• Pareidolia
• Clustering illusion
• 23 (numerology)
• Synchronicity
• Hindsight bias
• Interpretation
• Conspiracy theory
• Clustering illusion

Adapted from the Wikipedia article "Apophenia", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki