 |
|
| |
|
 |
 |
at Global Oneness Community.
Share your dreams and let others help you with the interpretation!
Dream Sharing Forum
|
 |
A Hard Day's Night song - The making |  | A Hard Day's Night song - The making: Encyclopedia II - A Hard Day's Night song - The making |  | Regardless of who decided on the title, Lennon immediately made up his mind that he would compose the movie's title track. Both Lennon and McCartney were credited as co-authors, though the two of them did not actually work on their songs together — instead, one would write the majority of the song, and the other would critique it. (In some cases, even when there was no input from the other Beatle, such as on "Yesterday", both of them would still be credited as authors.) It was a symb ...
See also:A Hard Day's Night song, A Hard Day's Night song - Title inspired by Ringo-ism, A Hard Day's Night song - The making, A Hard Day's Night song - The release, A Hard Day's Night song - Opening chord, A Hard Day's Night song - Music and lyrics, A Hard Day's Night song - Other recordings |  | | A Hard Day's Night song, A Hard Day's Night song - Music and lyrics, A Hard Day's Night song - Opening chord, A Hard Day's Night song - Other recordings, A Hard Day's Night song - The making, A Hard Day's Night song - The release, A Hard Day's Night song - Title inspired by Ringo-ism |  | |
|  |  | A Hard Day's Night song: Encyclopedia II - A Hard Day's Night song - The making
A Hard Day's Night song - The making
Regardless of who decided on the title, Lennon immediately made up his mind that he would compose the movie's title track. Both Lennon and McCartney were credited as co-authors, though the two of them did not actually work on their songs together — instead, one would write the majority of the song, and the other would critique it. (In some cases, even when there was no input from the other Beatle, such as on "Yesterday", both of them would still be credited as authors.) It was a symbiosis that could be described as friendly competition.
Lennon dashed off the song in one night, and brought it in for comments the following morning (the original manuscript lyrics may be seen in the British Library, scribbled in ballpoint on the back of an old birthday card). As he described in his Playboy interview, page 148, "...the next morning I brought in the song... 'cuz there was a little competition between Paul and I as to who got the A-side — who got the hits. If you notice, in the early days the majority of singles, in the movies and everything, were mine... in the early period I'm dominating the group.... The reason Paul sang on A Hard Day's Night (in the bridge) is because I couldn't reach the notes."
In the Associated Press report, Shenson described his recollection of what happened. At 8:30 in the morning, "There were John and Paul with guitars at the ready and all the lyrics scribbled on matchbook covers. They played it and the next night recorded it." Shenson declared, "It had the right beat and the arrangement was brilliant. These guys were geniuses."
During that period of time, the Beatles were being interviewed by reporter Maureen Cleave of London's Evening Standard. Lennon showed Cleave the lyrics, and she suggested to him that the lines "I find my tiredness is through/And I feel alright" sounded weak. Lennon eventually replaced the lines in question with "I find the things that you do/They make me feel alright".
On April 16 1964, the Beatles gathered at Studio 2 of the Abbey Road Studios and recorded "A Hard Day's Night". It took them less than three hours to polish the song for its final release, eventually selecting the ninth take as the one to be released.
Other related archives1964, A Hard Day's Night, Abbey Road Studios, April 16, Associated Press, August 1, Billy Joel, Bridge Over Troubled Water, British Library, Capitol Records, Computer Science, Dalhousie University, Dave Hull, Dick Lester, Evening Standard, George Harrison, George Martin, Grammy Award for Best Performance by a Vocal Group, Halifax, I Want To Hold Your Hand, John Lennon, July 10, July 13, July 18, July 25, June 13, Laurence Olivier, London, October 2004, Parlophone Records, Paul McCartney, Peter Sellers, Playboy, Richard III, Rickenbacker, Ringo Starr, Shakespeare, She Loves You, Simon and Garfunkel, The Beatles Anthology, The Ed Sullivan Show, United Artists, United Kingdom, United States, Yesterday, algorithms, anticipation, borrowed chord, break, cadence, chord, combinatorics, diatonic function, disc jockey, drummer, feature film, graph theory, guitar, keyboard, ladder of thirds, malapropisms, modal frame, mode mixture, one-hit wonder, pandiatonic, passing tone, pedal, pentatonic, soundtrack, subtonic, symbiosis, the Beatles, the Rolling Stones
 Adapted from the Wikipedia article "The making", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki |
|
« Back
|
Search the Global Oneness web site |
|
|
|
|
 |
Sneak-Peek of Global Oneness Community
Hi friend! The Global Oneness Community, the place for information and sharing about Oneness is not really launched yet (you will see there is still some clean up to do) ...but it is now open for a sneak-peek! And if you wish - please register and become one of the very first members to do so! Jonas
Forum Home,
Articles,
Photo Gallery,
Videos,
News,
Sitemap
...and much more!
|