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A Hard Day's Night song - Music and lyrics

A Hard Day's Night song - Music and lyrics: Encyclopedia II - A Hard Day's Night song - Music and lyrics

The song is in the key of G major and in 4/4 time, though Richard Middleton (1990) describes G as the dominant in the key of C major. The verse features the ♭VII or major subtonic chord that was a part of the opening chord as an ornament or embellishment below the tonic. The modal frame of the song though pentatonic features a ladder of thirds axially centered on G with a ceiling note of Bb and floor note of Eb (the ...

See also:

A Hard Day's Night song, A Hard Day's Night song - Title inspired by Ringo-ism, A Hard Day's Night song - The making, A Hard Day's Night song - The release, A Hard Day's Night song - Opening chord, A Hard Day's Night song - Music and lyrics, A Hard Day's Night song - Other recordings

A Hard Day's Night song, A Hard Day's Night song - Music and lyrics, A Hard Day's Night song - Opening chord, A Hard Day's Night song - Other recordings, A Hard Day's Night song - The making, A Hard Day's Night song - The release, A Hard Day's Night song - Title inspired by Ringo-ism

A Hard Day's Night song: Encyclopedia II - A Hard Day's Night song - Music and lyrics



A Hard Day's Night song - Music and lyrics

The song is in the key of G major and in 4/4 time, though Richard Middleton (1990) describes G as the dominant in the key of C major. The verse features the ♭VII or major subtonic chord that was a part of the opening chord as an ornament or embellishment below the tonic. The modal frame of the song though pentatonic features a ladder of thirds axially centered on G with a ceiling note of Bb and floor note of Eb (the low C being a passing tone) (Middleton 1990, p.203):

According to Middleton (ibid, p.201) the song has "a deep kinship with typical blues melodic structures: it is centered on three of the notes of the minor-pentatonic mode (Eb-G-Bb), with the contradictory major seventh (B♮) set against that. Morever, the shape assumed by these notes - the modal frame - as well as the abstract scale they represent, is revealed, too; and this - an initial, repeated circling round the dominant (G), with an excursion to its minor third (Bb), 'answered' by a fall to the 'symmetrical' minor third of the tonic (Eb) - is a common pattern in blues."

However, in his interview with Playboy, Lennon denied that McCartney's authorship of the bridge was the reason that he sang it: "The only reason he sang on 'A Hard Day's Night' was because I couldn't reach the notes. ...which is what we'd do sometimes. One of us couldn't reach a note but he wanted a different sound, so he'd get the other to do the harmony."

There is also an instrumental break, performed (and composed) on the keyboard by producer George Martin.

The song closes with Harrison's guitar-playing fading out, the first time the Beatles had used such a technique — most, if not all, of their earlier work had closed with a final chord (and cadence), such as "She Loves You" and "I Want To Hold Your Hand".

The actual lyrics speak about the singer's undying devotion to his lover, and how he toils so she can purchase the items she fancies. The singer sings about his tiredness when he comes home from work, but how the things that his lover does perk him up.

Other related archives

1964, A Hard Day's Night, Abbey Road Studios, April 16, Associated Press, August 1, Billy Joel, Bridge Over Troubled Water, British Library, Capitol Records, Computer Science, Dalhousie University, Dave Hull, Dick Lester, Evening Standard, George Harrison, George Martin, Grammy Award for Best Performance by a Vocal Group, Halifax, I Want To Hold Your Hand, John Lennon, July 10, July 13, July 18, July 25, June 13, Laurence Olivier, London, October 2004, Parlophone Records, Paul McCartney, Peter Sellers, Playboy, Richard III, Rickenbacker, Ringo Starr, Shakespeare, She Loves You, Simon and Garfunkel, The Beatles Anthology, The Ed Sullivan Show, United Artists, United Kingdom, United States, Yesterday, algorithms, anticipation, borrowed chord, break, cadence, chord, combinatorics, diatonic function, disc jockey, drummer, feature film, graph theory, guitar, keyboard, ladder of thirds, malapropisms, modal frame, mode mixture, one-hit wonder, pandiatonic, passing tone, pedal, pentatonic, soundtrack, subtonic, symbiosis, the Beatles, the Rolling Stones



Adapted from the Wikipedia article "Music and lyrics", under the G.N U Free Docmentation License. Please also see http://en.wikipedia.org/wiki


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