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752 | A Wisdom Archive on 752 |  | 752 A selection of articles related to 752 |  |
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752, 752, 752 - Births, 752 - Deaths, 752 - Events
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| ARTICLES RELATED TO 752 | |  |  |  | 752: Encyclopedia II - Nibelung - Norse traditionIn the eddic poem Atlakvida, the word Niflungar is applied three times to the treasure (arfr) or hoard (hodd) of Gunnar (the Norse counterpart of German Gunther). It is also applied once to Gunnar's warriors and once to Gunnar himself. It elsewhere appears unambiguously as the name of the ligneage to which the brothers Gunnar and Högni (Hǫgni) belong and seems mostly interchangeable with Gjúkingar, meaning descenda ...
See also:Nibelung, Nibelung - In Waltharius, Nibelung - Norse tradition, Nibelung - Niblung genealogy, Nibelung - Lex Burgundionum, Nibelung - German tradition, Nibelung - Norse tradition, Nibelung - Other interpretations of Nibelung, Nibelung - A northern people, Nibelung - Referring to dwarfs, Nibelung - Variant spellings Read more here: » Nibelung: Encyclopedia II - Nibelung - Norse tradition |
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| |  |  |  | 752: Encyclopedia II - Nibelung - In WalthariusThe earliest probable surviving mention of the name is in the Latin poem Waltharius (lines 555–6) in which Walter, seeing Guntharius (Gunther) and his men approaching says (in the Chronicon Novaliciense text, usually taken to be the oldest):
"Non assunt Avares hic, sed Franci Nivilones,
cultures regionis."
The translation is: "These are not Avars, but Frankish Nivilons, inhabitants of the region." The other texts have nebulones 'worthless fellows' instead of nivilones, a reasonable replacemen ...
See also:Nibelung, Nibelung - In Waltharius, Nibelung - Norse tradition, Nibelung - Niblung genealogy, Nibelung - Lex Burgundionum, Nibelung - German tradition, Nibelung - Norse tradition, Nibelung - Other interpretations of Nibelung, Nibelung - A northern people, Nibelung - Referring to dwarfs, Nibelung - Variant spellings Read more here: » Nibelung: Encyclopedia II - Nibelung - In Waltharius |
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|  |  |  | 752: Encyclopedia II - Nibelung - Other interpretations of Nibelung
Nibelung - A northern people.
Although Nibelungs refers to the royal family of the Burgundians in the second half of the Nibelunglenlied (as well as in many other texts), in the first half Nibelungenlant is instead a kingdom on the borders of Norway of which Siegfried becomes the ruler.
In Adventure 3 Hagen tells how Siegfried came by chance upon the two sons of the king of the Nibelungs who had just died. Their names were Schilbung and Nibelung and they were attempting to divide their f ...
See also:Nibelung, Nibelung - In Waltharius, Nibelung - Norse tradition, Nibelung - Niblung genealogy, Nibelung - Lex Burgundionum, Nibelung - German tradition, Nibelung - Norse tradition, Nibelung - Other interpretations of Nibelung, Nibelung - A northern people, Nibelung - Referring to dwarfs, Nibelung - Variant spellings Read more here: » Nibelung: Encyclopedia II - Nibelung - Other interpretations of Nibelung |
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|  |  |  | 752: Encyclopedia II - List of popes - List of popes
List of popes - AD 30-250.
List of popes - AD 250-500.
List of popes - AD 500-750.
List of popes - AD 750-1000.
List of popes - AD 1000-1250.
List of popes - AD 1250-1500.
List of popes - AD 1500-1750.
List of popes - AD 1750-2000.
Lis ...
See also:List of popes, List of popes - List of popes, List of popes - AD 30-250, List of popes - AD 250-500, List of popes - AD 500-750, List of popes - AD 750-1000, List of popes - AD 1000-1250, List of popes - AD 1250-1500, List of popes - AD 1500-1750, List of popes - AD 1750-2000, List of popes - From AD 2000, List of popes - Notes on numbering of popes Read more here: » List of popes: Encyclopedia II - List of popes - List of popes |
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| |  |  |  | 752: Encyclopedia II - Du Fu - TranslationThere have been a number of notable translations of Du Fu’s work into English. The translators have each had to contend with the same problems of bringing out the formal constraints of the original without sounding laboured to the western ear (particularly when translating lǜshi), and of dealing with the allusions contained particularly in the later works (Hawkes writes that "his poems do not as a rule come through very well in translation" — p. ix). One extreme on each issue is represented by Kenneth Rexroth’s One Hundred P ...
See also:Du Fu, Du Fu - Life, Du Fu - Early years, Du Fu - War, Du Fu - Chengdu, Du Fu - Last years, Du Fu - Works, Du Fu - History, Du Fu - Moral engagement, Du Fu - Technical excellence, Du Fu - Influence, Du Fu - Translation Read more here: » Du Fu: Encyclopedia II - Du Fu - Translation |
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|  |  |  | 752: Encyclopedia II - List of Lands of the Carolingian Empire - Prior to the formation of the Empire 751–800
Kingdom of the Franks (751–768). Containing:
Kingdom of Aquitaine (containing regions of: Aquitaine, Auvergne, Gascony, Septimania (752–768))
Kingdom of Austrasia (containing regions of: Alsace, Bavaria, Franconia, Frisia, Hesse, Swabia, Thuringia)
Kingdom of Burgundy (containing regions of: Burgundy, Provence)
Kingdom of Neustria (containing regions of: Francia, Neustria)
Kingdom of Austrasia (768†...
See also:List of Lands of the Carolingian Empire, List of Lands of the Carolingian Empire - Prior to the formation of the Empire 751–800, List of Lands of the Carolingian Empire - From the formation of the Empire until the Treaty of Verdun 800–843, List of Lands of the Carolingian Empire - From the Treaty of Verdun until the death of Charles the Fat 843–888, List of Lands of the Carolingian Empire - After the death of Charles the Fat in 888 Read more here: » List of Lands of the Carolingian Empire: Encyclopedia II - List of Lands of the Carolingian Empire - Prior to the formation of the Empire 751–800 |
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|  |  |  | 752: Encyclopedia II - Du Fu - InfluenceIn his lifetime, and immediately following his death, Du Fu was not greatly appreciated. In part this can be attributed to his stylistic and formal innovations, some of which are still "considered extremely daring and bizarre by Chinese critics" (Hawkes, p. 4). However, as Hung notes, he "is the only Chinese poet whose influence grew with time" (p. 1), and in the ninth century he began to increase in popularity. With time, his innovations began to seem less radical, and hindsight could appreciate the historical aspects of his poems better th ...
See also:Du Fu, Du Fu - Life, Du Fu - Early years, Du Fu - War, Du Fu - Chengdu, Du Fu - Last years, Du Fu - Works, Du Fu - History, Du Fu - Moral engagement, Du Fu - Technical excellence, Du Fu - Influence, Du Fu - Translation Read more here: » Du Fu: Encyclopedia II - Du Fu - Influence |
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|  |  |  | 752: Encyclopedia II - Du Fu - WorksCriticism of Du Fu's works has focused on his strong sense of history, his moral engagement, and his technical excellence.
Du Fu - History.
Since the Song dynasty Du Fu has been called by critics the "poet historian". The most directly historical of his poems are those commenting on military tactics or the successes and failures of the government, or the poems of advice which he wrote to the emperor. Indirectly, he wrote about the effect of the times in which he lived on himself, and on the ordinary people of China. As Watson notes, this is information "of a kind seldom found in the officially compiled h ...
See also:Du Fu, Du Fu - Life, Du Fu - Early years, Du Fu - War, Du Fu - Chengdu, Du Fu - Last years, Du Fu - Works, Du Fu - History, Du Fu - Moral engagement, Du Fu - Technical excellence, Du Fu - Influence, Du Fu - Translation Read more here: » Du Fu: Encyclopedia II - Du Fu - Works |
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|  |  |  | 752: Encyclopedia II - Japanese art - Aesthetic conceptsJapanese art is characterized by unique polarities. In the ceramics of the prehistoric periods, for example, exuberance was followed by disciplined and refined artistry. Another instance is provided by two 16th-century structures that are poles apart: the Katsura Detached Palace is an exercise in simplicity, with an emphasis on natural materials, rough and untrimmed, and an affinity for beauty achieved by accident; Nikko Toshogu is a rigidly symmetrical structure replete with brightly colored relief carvings covering every visible surface. J ...
See also:Japanese art, Japanese art - History of Japanese Art, Japanese art - Jomon art, Japanese art - Yayoi art, Japanese art - Kofun art, Japanese art - Asuka and Nara art, Japanese art - Heian art, Japanese art - Kamakura art, Japanese art - Muromachi art, Japanese art - Azuchi-Momoyama art, Japanese art - Art of the Edo period, Japanese art - Meiji Art, Japanese art - Postwar period, Japanese art - Modern Art in Japan, Japanese art - Performing arts, Japanese art - Aesthetic concepts, Japanese art - Artists, Japanese art - Art schools, Japanese art - Government art sponsorship, Japanese art - Private sponsorship and foundations, Japanese art - Notes Read more here: » Japanese art: Encyclopedia II - Japanese art - Aesthetic concepts |
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|  |  |  | 752: Encyclopedia II - Exarchate of Ravenna - IntroductionRavenna became the capital of the Western Roman Empire in 404 under Honorius due to its fine harbor with access to the Adriatic and ideal defensive location. The city remained the capital of the Western Roman Empire until its dissolution in 476, when it became the capital of Odoacer, then of the Ostrogoths under King Theodoric. It remained the capital of Italia, Gallia Cisalpina, Dalmatia and Sicilia under the Ostrogoths, but in 540 at the close of the Gothic Wars, Ravenna was occupied by the great Byzantine general Belisarius. After the Roman reconque ...
See also:Exarchate of Ravenna, Exarchate of Ravenna - Introduction, Exarchate of Ravenna - The Exarchate, Exarchate of Ravenna - The End of the Exarchate, Exarchate of Ravenna - Exarchs of Ravenna Read more here: » Exarchate of Ravenna: Encyclopedia II - Exarchate of Ravenna - Introduction |
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|  |  |  | 752: Encyclopedia II - Japanese art - ArtistsTraditionally, the artist was a vehicle for expression and was personally reticent, in keeping with the role of an artisan or entertainer of low social status. The calligrapher, a member of the Confucian literati class, or noble samurai class in Japan, had a higher status, while artists of great genius were often recognized in the Kamakura period by receiving a name from a feudal lord and thus rising socially. The performing arts, however, were generally held in less esteem, and the purported immorality of actresses of the early Kabuki theater caused the Tokugawa government to bar women from the stage; female roles in Kabuk ...
See also:Japanese art, Japanese art - History of Japanese Art, Japanese art - Jomon art, Japanese art - Yayoi art, Japanese art - Kofun art, Japanese art - Asuka and Nara art, Japanese art - Heian art, Japanese art - Kamakura art, Japanese art - Muromachi art, Japanese art - Azuchi-Momoyama art, Japanese art - Art of the Edo period, Japanese art - Meiji Art, Japanese art - Postwar period, Japanese art - Modern Art in Japan, Japanese art - Performing arts, Japanese art - Aesthetic concepts, Japanese art - Artists, Japanese art - Art schools, Japanese art - Government art sponsorship, Japanese art - Private sponsorship and foundations, Japanese art - Notes Read more here: » Japanese art: Encyclopedia II - Japanese art - Artists |
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